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From: dell_gt
on 2nd May 2009 01:07 PM
[Full View]
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From: steveaustin
on 3rd May 2009 01:17 PM
[Full View]
'Pasanga': wonderful film about the wonder years (Tamil Film Review)
Chennai, May 3: Film: "Pasanga"; Cast: Sriram, Kishore, Vimal, Vega; Music: James Vasanthan; Cinematography: Prem Kumar; Direction: Pandiraj; Rating: ***1/2
After the success of its debut venture "Subramaniapuram", Company Productions have come up with another lovely film in "Pasanga" (children).
Debutant director Pandiraj has exhibited a sound understanding over the medium and has extracted work of high quality from his star cast dominated by adolescents.
Set in a rural setting of a government run school, the movie deals with the pangs of growing up and puppy love narrated with oodles of humour.
A young school bully Jeeva (Sriram) is surprised by the spunk in a new classmate Anbu (Kishore) who has shifted to the government-owned school from a private institution following his father's downturn in fortunes.
The studious Anbu goes on to win the heart of the bully's sister played by Keerthana and the entire class with his helping nature in solving problems - within and beyond the curriculum.
And then there is the adult love interest in the form of trysts between Anbu's uncle Meenakshisundaram (Vimal) and Jeeva's elder sibling and school teacher (portrayed brilliantly by Vega).
The mix of characters established through a neat screenplay in different shades and shapes are neatly bound together during the simple but moving climax leaving a lovable lump in the throat.
Vega has improved tremendously after her first outing. The rest of the cast - all real life schoolchildren - are splendid amidst the rustic background filmed wonderfully by Prem Kumar.
James Vasanthan excels through his musical score, according a nice feel to the proceedings. A song by veteran crooner M. Balamuralikrishna is a feather in an otherwise crowded cap.
http://mangalorean.com/news.php?news...&newsid=123013
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From: steveaustin
on 3rd May 2009 01:20 PM
[Full View]
Pasanga is delightful
Children's movies always fill you with trepidation especially when they're meant for children themselves. Our film-makers tend to play it safe, as children's movies come with a risky tagline but thankfully, director Sasikumar seems to be one of those rare souls who not only understands the need for intelligent films, but also encourages their production as well.
Company Productions' latest Tamil film Pasanga (Kids), directed by debutant Pandiraj is one such venture which is an unadulterated delight.
Pasanga wins because it's not just a fairy-tale; the children in it are really children, with their own jealousies, problems and unique viewpoints.
When Anbukkarasu, a newcomer arrives in the corporation school to start the new year, old-hands Jeeva Nithyanandham, Pakkada and Kutti Mani (Kishore, Murugesh and Co) are understandably incensed, especially since Anbukkarasu is unafraid of them. A petty rivalry soon blows up into epic proportions, as Jeeva's cousin, Keerthana, likes Anbukkarasu a lot.
Anbukkarasu is seemingly a model student but thankfully, he's refreshingly down-to-earth and normal.
The movie comes with a beautiful love story as well: Anbu's uncle Meenakshi Sundaram and Jeeva's sister Kopperundevi (Vega) aka Sevappukkanni (Red Eyes -- because she's a nursery school teacher who always falls asleep in class) fall in love, and a delightful tae ensues.
It's as though you've been let into the corporation school of Viraachalai, in the vicinity of Thirumayam, and allowed to peek into the lives, trials and tribulations. Anbu has family troubles, because his father won't take the time to improve their standard of living.
His mother is Pothumponnu (a name given to stop the birth of female daughters). Jeeva's parents, especially his father is mature enough not to take out his personal rivalry on his student.
You can hardly believe that this is Pandiraj's debut movie. There are sly digs at all the present heroes, their tactics and influence. The intricacies of everyday life in a small town are refreshingly detailed.
All the children have done an excellent job and sometimes you have to wonder if they're real families, so perfect is the set-up. After Saroja, Vega appears in a sweet role, which does her full justice.
The screenplay moves steadily, filled with enough pep and enthusiasm to sustain the viewer. Newcomer Crawford's artwork, and Yoga Bhaskar's editing are near-perfect.
James Vasanthan's background score wins a lot more than the songs themselves in this feel-good movie that hits all the right spots.
The last half hour might be cinematic but the rest of it is too good to miss. Get your kids and have a blast at Pasanga.
Rediff Rating: 3 1/2 stars
http://movies.rediff.com/report/2009...delightful.htm
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From: steveaustin
on 3rd May 2009 01:24 PM
[Full View]
Pasanga - Movie Review
Starring: Jeeva, Anbu, Manonmani, Kuttymani, Mangalam, Pakkada
Direction: Pandiraj
Music: James Vasanthan
Production: M. Sasikumar
Specialty of Pasanga, produced by Subramaniapuram Sasikumar, begins with the happy banter and giggles of students as the title music. Though some scenes showcase their tomfoolery some others go overboard pushing the viewers to exhaustion. Parents complaining about their wards is one such example.
The film is about the conflict and friction between two eleven year olds. Kishore (Anbukkarasu) comes to government school from private due to his family’s economic setback. Sriram (Jeeva) is the boy in his class who is the son of the class teacher and enjoys special privileges but is dull in studies. Kishore proves himself in studies and earns a special name in his class teacher’s heart which is naturally not being liked by Jeeva. The two are at loggerheads with each other and their animosity grows in leaps and bounds which in turn affects the relationship between the respective families. However, two youngsters from these two families are in love and the resulting incidents form the main knot of Pasanga directed by Pandiraj, erstwhile assistant of Cheran.
Characterization of Anbukkarasu’s father, mother and his uncle is noteworthy but the same thing cannot be said about Jeeva’s father which leaves the viewer befuddled. Sriram’s character has been shown almost as villain and his ‘single wink’ transformation is also not acceptable.
The scene where the teacher gets yelled at by his son is exaggerated and screams of cinematic buffoonery at its peak. The title Pasanga does not suit in situations where the kids scare others with compass. These sequences should have been avoided as they could lead to negative learning.
Pasanga’s highlight is Vimal-Vega’s romance and their cell phone babble. When Vega talks to Vimal’s brother misunderstanding him as Vimal and later trying to manipulate the situation is interesting.
Screenplay appears to be disjointed. Dialogues are laudable and camerawork is praiseworthy. Music is hummable especially ‘Vetkum varude’ number. Director Pandiraj should be credited for extracting work from children. If few foibles had been avoided Pasanga would have made a special mark.
Verdict: Pasanga for pasanga and parents
http://www.behindwoods.com/tamil-mov...2/pasanga.html
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From: steveaustin
on 3rd May 2009 01:26 PM
[Full View]
Pasanga - Candid, catchy and convincing
Who said commercialsm has overtaken realism in Tamil cinema? Amidst the flock of movies where the hero flex his muscles and utter punch dialogues and sings needless duets in exotic foreign locations, movies like Subramaniapuram, Paruthiveeran and Vennila Kabbadi Kuzhu proved all hopes are not lost.
Director Sasi Kumar, who brought a whiff of fresh air to Tamil cinema with Subramaniapuram last year, has taken Kollywod a step above with his next production venture Pasanga. Striking a smooth balance between real and fantasy elements, Pasanga is rare in the sense it is for the children and by the children, which is convincing and clear from the word go.
After Mani Ratnam, who charmed the audience with Anjali, a healthy clean entertainer featuring children all the way almost two decade ago, debutant Pandiraj has managed to gather guts to do a movie that dwells on the physical and psychological emotions of children.
He has used the bigger canvas to capture the joy and emotions among the innocent children. But the filmmaker has not deviated from regular cinema, for the storyline is typical to run-of-the-mill stuffs. Two pitted against each other and keen to take revenge on one another. They cross and crisscross building up to a climax where the hero prevails over the baddie. But what is strikingly different in Pandiraj’s approach is that the whole story is set around a group of children. They make you laugh, cry and sulk in emotions.
The story unfolds in a dry barren village. Anbu (Kishore), the protagonist in the film comes across his bitter foe Jeeva (Sriram) on the first day of his school. Interestingly, Jeeva happens to be son of the headmaster Nithyanandam (remember the Kalloori professor).
The good-hearted Anbu tries to mend ways and befriend Jeeva. However, Jeeva is hell-bent on taking Anbu for task. Enters Manonmani (Dharini), who develops affinity towards Anbu raising between him and Jeeva. Anbu not only excels in his academics but also in various extra curricular activities, which only widens the rift.
The fight between Anbu and Jeeva results in a rift between their respective families.
However, in a twist to the tale, Meenakshi Sundaram (Vimal), Anbu’s uncle falls in romance with Sobikannu (Vega), the sister of Jeeva. Interestingly, the families get united as they agree for Meenakshi
Sundaram’s wedding with Sobikannu, much against the wishes of both Jeeva and Anbu. Did they unite or not forms the climax, which has been etched out by Pandiraj in a gripping manner.
What is praiseworthy is the director’s faith in casting all newcomers and extracting the best from them. The children, needless to say, have performed on screen like seasoned professionals. Whether it is Kishore or Sriram or Dharini, they are right there delivering right expressions.
Vega, who sizzled the screen in Saroja plays a rural belle. She looks apt for the role and proves that she can handle her role with ease. Watch out for the young Pandian, who as Pakkada, can give challenge to any of the contemporary Tamil film comedians.
James Vasanthan continues from where he left in Subramaniapuram. More than his songs, his background score sets up the momentum. Veteran singer Balamuralikrishna stamps his class in Anbaley Azhagagum Veedu. Premkumar, the cinematographer, has captured the lifestyle and culture of rustic, barren land of south Tamilnadu well.
All credits should go to Sasikumar, who has made a real bold attempt by producing such a film. It is simple, straightforward and scintillating. Hats off Sasikumar and Pandiraj.
http://www.indiaglitz.com/channels/t...iew/10979.html
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From: steveaustin
on 3rd May 2009 01:34 PM
[Full View]
Pasanga Movie Reviews
Children films in Kollywood are a rare occurrence. A film made for children has always remained a neglected genre in Tamil cinema.
Now director and producer, the trendsetter Sasikumar of Subramaniapuram fame and Pandiraj, the new director he is introducing through his Company Productions, have dared to venture in to this forbidden territory and make a children classic aptly titled Pasanga(Children).
It is perhaps the best ever children film produced in Tamil, on par with films like Taare Zameen Par, Makdee, Hanuman etc. The saying ‘Child is the father of the man’ can be seen and experienced throughout the film and it touches your heartstrings sans melodrama or moral science classes.
The film is a slice of life, looks real and is set in Virachilai a village near Pudukottai, the hometown of the director. The children in the film behave like normal kids and are a delight to watch. It justifies its tagline - “the secret life of kids”.
The film is a winner all the way because it is not made like a message children film, on the other hand it has the flavour of Tamil commercial elements like good humour, touching sentiments, trials and aspiration of Tamilnadu’s powerful lower middle class, village milieu with perfect dialogue, a beautiful love track incorporated into the main story with soothing songs, a stunning climax and above all a hero in the small boy worth emulating.
The story unfolds in an interesting manner. Jeeva Nithyanadam (Sriram), Pakkada (Pandian) and Kuttymani (Murugesh) are the lazy laidback and troublesome guys in the sixth standard at the local matriculation school. They terrorize the locals too with their various activities, making them seek police protection!
Enter Anbukarasu (Kishore) a new student who always has a suffix to his name IAS, as he dreams of becoming the district collector. He is influenced by former president Abdul Kalam’s teachings and sets to fulfill his dreams.
Anbu soon becomes a role model for others as he is hard working, first in class, determined and stands up to the bully gang led by Jeeva, whose cousin Manonmayi (Dharani) too takes a liking for him.
Jeeva’s dad Chockalingam (Jayaprakash) is the class teacher whose favourite student is Anbu. All this creates jealousy and rivalry in Jeeva’s mind sowed by his friends.
Meanwhile on a parallel track there is a beautiful love story that blossoms between Jeeva’s sister Sobhikannu (Vega) and Anbu’s uncle Meenakshi Sundaram (Vimal), as they live opposite to each other! Their romance is beautifully woven around the cell phone, and also shows the changing pattern of modern day love.
The real hero of Pasangal is its script, remarkable and rooted to its milieu. The everydayness of a schoolboy’s life is well etched. It is not just the little moments that stay with you, but also the film’s crucial scenes including the climax scenes are handled with a rare amount of maturity.
All this comes with top class performances from all the artists in the film. The director has got the best out of the kids who look natural born actors, and the supporting cast of Jayaprakash, Vimal, and Vega are excellent.
The music of James Vasanth suits the mood of the film with top class background score. The Naresh Iyer- Shreya Ghosal song in the rain Oru Vekkam Varudhe Varuthe… is picturised in an eye-catching manner in the rain. Count among others the camera of debutant Prem Kumar and art of another debutant Crawford.
Pasanga is a masterpiece, which Tamil cinema can be proud of, and should be compulsory viewing by all who support and love good cinema. It is a film about parents and children, about the kind of pressure we put on our kids, and it comes with a big heart and an important message. It is also about finding our true heroes.
A small film with a very big heart. Watch it, because gems like these are hard to find.
http://isai.in/tamil/?p=320
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From: steveaustin
on 3rd May 2009 01:37 PM
[Full View]
Movie review: Pasanga
Indo-Asian News Service
Saturday, May 2, 2009 (New Delhi)
After the success of its debut venture Subramaniapuram, Company Productions have come up with another lovely film in Pasanga (children).
Debutant director Pandiraj has exhibited a sound understanding over the medium and has extracted work of high quality from his star cast dominated by adolescents.
Set in a rural setting of a government run school, the movie deals with the pangs of growing up and puppy love narrated with oodles of humour.
A young school bully Jeeva (Sriram) is surprised by the spunk in a new classmate Anbu (Kishore) who has shifted to the government-owned school from a private institution following his father's downturn in fortunes.
The studious Anbu goes on to win the heart of the bully's sister played by Keerthana and the entire class with his helping nature in solving problems - within and beyond the curriculum.
And then there is the adult love interest in the form of trysts between Anbu's uncle Meenakshisundaram (Vimal) and Jeeva's elder sibling and school teacher (portrayed brilliantly by Vega).
The mix of characters established through a neat screenplay in different shades and shapes are neatly bound together during the simple but moving climax leaving a lovable lump in the throat.
Vega has improved tremendously after her first outing. The rest of the cast - all real life schoolchildren - are splendid amidst the rustic background filmed wonderfully by Prem Kumar.
James Vasanthan excels through his musical score, according a nice feel to the proceedings. A song by veteran crooner M Balamuralikrishna is a feather in an otherwise crowded cap.
http://movies.ndtv.com/newstory.asp?id=ENTEN20090092471
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From: joe
on 3rd May 2009 09:44 PM
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From: Nerd
on 8th May 2009 07:09 AM
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Vikatan has given 50, the highest since kAdhal. I am yet to read a single negative review
yaarumE pArkkalaiyA? but I am not all that interested
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From: jaaze
on 8th May 2009 07:12 AM
[Full View]
Originally Posted by
Nerd
Vikatan has given 50, the highest since kAdhal. I am yet to read a single negative review
yaarumE pArkkalaiyA?
but I am not all that interested
me too
enna thaan nalla(?) padamaa irunthaalum ozhungana marketing, promos, commercial elements illainaa ippadi thaan
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From: Raikkonen
on 8th May 2009 07:24 AM
[Full View]
me too..
just not interested in kids movie (that too seeing the stills
periya manushatanama irukku)
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From: Raikkonen
on 8th May 2009 07:26 AM
[Full View]
Originally Posted by
Nerd
Vikatan has given 50, the highest since kAdhal. I am yet to read a single negative review
yaarumE pArkkalaiyA? but I am not all that interested
really???
50 ellam intha kalathula too much-nga.. anbe sivathukke 47 than koduthanunga..
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From: Nerd
on 8th May 2009 07:30 AM
[Full View]
Originally Posted by
Raikkonen
me too..
just not interested in kids movie (that too seeing the stills
periya manushatanama irukku)
Exactly!
namma sinna vayasula oru vELai apdi irundhirukkalaam, adhu vERa vishayam
The movie might appeal to parents and kids I think..
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From: Nerd
on 8th May 2009 07:31 AM
[Full View]
சினிமா விமர்சனம்: பசங்க - 50/100
'நம்ம பசங்க இவங்க!' என்று உச்சி முகர்ந்து உலகத்துக்குச் சொல்ல, சமகால வரலாற்றில் தமிழில் ஒரு சிறுவர் சினிமா!
முதல் முயற்சியிலேயே முத்திரை பதித்திருக்கிறார் அறிமுக இயக்குநர் பாண்டிராஜ். தியேட்டரில் அந்தப் பசங்களுடனேயே பயணித்துப் பிரிய மனமில்லாமல் திரும்பித் திரும்பிப் பார்த்துச் செல்லும் குழந்தைகளின் 'தேங்க்ஸ்' மொத்தமும் உங்களுக்கே உங்களுக்கு!
சதா சண்டைக் கோழிகளாகப் பிரிந்து நின்று முட்டி மோதி மூக்குடைக்கும் குறும்புப் 'பசங்க' கதை. லிட்டில் டெரரிஸ்ட் ஜீவா. அப்பாவே வாத்தியாராக இருப்பதால், ஜீவாவின் அட்டகாசங்கள் ஊரையே உலுக்கியெடுக்கின்றன. கூடவே, கும்மாளமடிக்கும் சக ஜபர்தஸ்துகள் பக்கடா மற்றும் குட்டிமணி. அந்தப் பள்ளிக்கூடத்துக்கு வந்து சேர்கிறான் அன்புக்கரசு. ஆறாம் வகுப்பிலேயே 'அன்புக்கரசு ஐ.ஏ.எஸ்' என்று போட்டுக் கொள்ளும் ஸ்டூடன்ட் நம்பர் ஒன். முதல் நாளே அன்புக்கும் ஜீவாவுக்கும் மோதல். எதிரெதிர் வீட்டில் இருக்கும் இருவரின் குடும்பங்களும் தெருச் சண்டை போட்டுக்கொள்ளும் அளவுக்கு வினையாகிறது விளை யாட்டுச் சண்டை. இவர்களுக்கிடையே மோதல்என்றால், அன்புவின் எல்.ஐ.சி. சித்தப்பாவுக்கும் ஜீவாவின் பால்வாடி டீச்சர் அக்காவுக்கும் காதல். காதல் ஜோடி இணையத் துடிக்க, மோதல் பசங்க பிரிக்கத் துடிக்க... யார் ஜெயித்தார்கள் என்பது மீதிக் கதை!
'தோளில் கை போட்டால் குட்டையாகிவிடுவேன்' என்கிற பயம், 'இந்த அடியை நாளைக்கு வரைக்கும் மறக்காதே' என்று அன்பைச் செல்ல அடியாக வெளிப்படுத்தும் பிரியம், 'அது எப்படிடா ஒருத்தனுக்கு ஒண்ணுக்கு வந்தா எல்லாத்துக்கும் வருது?' என்கிற சந்தேகம் என... பால்ய காலத்தின் பக்கங்களை ஜாலியாகப் புரட்டும் கதை.
'நான் தயிர்சாதம்', 'நான் சர்க்கரைப் பொங்கல்', 'நான் புளியோதரை' என்று எதிரி வீட்டு முற்றத்தை நாசம் பண்ணும் ஜீவா அண்ட் கோ ஒரு பக்கம், இல்லாத பைக்கைக் கற்பனை யாக ஓட்டிக் கனவு காணும் அன்புக்கரசு இன்னொரு பக்கம் என அறிமுகக் காட்சிகளும் அவர்களுக்கான 'ஓப்பனிங் ஸாங்'கும் அசத்தல்.
கைத்தட்டலுக்கும் பாராட்டுக்கும் ஏங்கும் அன்புக்கரசு கேரக்டர் தமிழ் சினிமாவுக்கே புதிது. 'பெர்ஃபெக்ட் ஸ்டூடன்ட்' கேரக்டரில் கிஷோர் பக்கா பாந்தம். சதா சண்டை போட்டுக்கொண்டே இருக்கும் அப்பா - அம்மாவைச் சமாதானப்படுத்த முயற்சிக்கும்போதும், வம்புக்கார ஜீவாவைச் சரிக்குச் சரி நின்று சமாளிக்கும்போதும் கிஷோரின் கண்களில் அத்தனை எக்ஸ் பிரஷன்கள்!
'குழந்தை வில்லன்' ஜீவாவாக ராம். அரசுப் பள்ளி வாத்தியார் பையன்களுக்கே இருக்கும் இயல்பான திமிர். வகுப்பில் தன்னைக் கண்டிக்கும் அப்பாவை, 'அவனை விட்டுட்டு என்னையத் திட்ற... இரு, அம்மாகிட்ட சொல்றேன்!' என்று எகிறும்போதும், அதே அப்பாவிடம் 'சிகரெட்டை விட்ருப்பா... எல்லாம் உன்னைக் கிண்டல் பண்றாங்க' என்று வரம் வாங்கும்போதும் தேர்ந்த நடிப்பு. தன் அப்பா, அன்புக்கரசுவைப் பாராட்டும்போதெல்லாம் ஜீவா முகத்தில் தெரிவது அக்னி நட்சத்திரச் சூடு!
ஜீவாவின் கைத்தடிகளாக வருகிற பக்கடா (பாண்டியன்), குட்டிமணி(முருகேஷ்) இருவரும் காªமடி ரவுடிகள். 'ஜீவா கோபமாயிட்டான். அவன் பணக் காரன்டா. சட்டைப் பையைக் கிழிச்சுக்குவான்டா!' என்று ஜீவாவை உசுப்பேத்தி, சில்லறைகளைச் சிதற வைக்கிற பக்கடாவின் ஐடியாக்கள் அத்தனையும் சிரிப்பு பாஸ்பரஸ். பக்கடா ஏத்திவிட... 'ம்ம்' என்று அதற்கு ஜால்ரா வாசிக்கிற குட்டிமணியின் பக்க வாத்தியம் அவ்வளவு அழகு. 'அம்மா... குஞ்சுமணி வெளியே வந்திருச்சு!' என்று ஓட்டை ஜட்டியுடன் அறிமுகமாகும் 'புஜ்ஜிமா' கார்த்திக் ராஜா குறும்பு ஹைக்கூ. இரு குடும்பங்களும் நடுத்தெருவில் சண்டை போடும்போது, வாத்தியாரைப் பார்த்துக் 'கொன்னுருவேன்' என்று பிஞ்சு விரல் காட்டுவதும், பெண் குழந்தைகளிடம் அன்பு காட்டி ஆண் குழந்தைகளை அடித்துவைத்து 'எப்பூடி?' என்று கேள்வி கேட்டும், படம் முழுக்க ரகளை செய்கிறான். ஜீவாவின் அத்தைப் பெண் புவனேஸ்வரியாக வரும் தாரிணியின் கண்களில் கள்ளமில்லா சில்மிஷ காந்தம்!
'இங்கிட்டு மீனாட்சி... அங்கிட்டு யாரு?' என்று சதா மொபைல் மொக்கையில் பிஸியாகத் திரியும் எல்.ஐ.சி. ஏஜென்ட்டாக வரும் விமல், அறிமுகமா? ஆச்சர்யப்படுத்துகிறார். 'ஒரு பாலிஸிகூடக் கிடைக்கலை. எப்படியும் உங்கப்பா நம்ம காதலைச் சேர்த்துவைக்க மாட்டாரு. பழகுன பழக்கத்துக்கு ஒரு பாலிஸி யாவது போடேன்!' என்று காதலியிடமே கையெழுத்துக் கேட்பதில், டிரேட் மார்க் தமிழக விடலையைக் கண் முன் நிறுத்துகிறார். அட, 'சரோஜா' வேகாவா இது? பால்வாடியில் தூங்கி வழியும் சோப்ளாங்கி டீச்சராக, 'நீங்க என்னைப் பாராட்டுறீங்களா... இல்லை, ஓட்டுறீங்களா?' என்று குழம்புகிற அசட்டு அழகு ஃபிகராகப் பின்னியிருக்கிறார். 'கேணப் பய! கிறுக்கச்சி மாதிரி என்னைத் தனியாப் பேசவெச்சிட்டானே' என்று புலம்புவதும், புருவ நெளிவுசுளிவுகளிலேயே கதை பேசுவதுமாக... வேகா-ஆஹா!
செல்போன்களையே காதலுக்கு உதவும் உருப்படிகளாகக் காட்சிப்படுத்தியிருப்பது லவ்லி. 'மாமோய்! நீங்க எங்க இருக்க்க்க்க்க்கீங்க?' என்று ஆரம்பித்து, விதவிதமாகக் கதறும் ரிங்டோன்களையே காதல் காட்சிகளுக் குப் பின்னணி இசையாகச் சேர்த்திருப்பது ரசனை.
ஜீவாவின் அப்பாவாக வரும் வாத்தியார் சொக்கலிங்கத்துக்கு (ஜெயப்பிரகாஷ்), ரோல்மாடல் வாத்தியார் கேரக்டர். தேவையான பாவனைகளைத் தேர்ந்தெடுத்துத் தருகிறார். அன்புக்கரசுவின் அப்பாவாக வரும் சிவக்குமாரும், அம்மாவாக வரும் செந்திகுமாரியும் நடுத்தர வர்க்கத்துக்கும் கீழான படியிலிருக்கும் வர்க்கங்களின் பெற்றோர்களைக் கண்ணாடியாகப் பிரதிபலிக்கிறார்கள்.
ஒரு நடுவாந்தர நகரம், அதன் மனிதர்கள், அதன் வருட முழுமைக்குமான இயக்கங்களை (தீபாவளித் தள்ளுபடி வண்டி, 'சார், கொஞ்சம் ஓரமா நின்னு சண்டை போடுங்க சார்' என்று அறிவித்து நகர்ந்து செல்வது வரை... பிரமாதம்!) அச்சு அசலாகப் படியெடுத்திருப்பதில், கலை இயக்குநருக்கும் ஒளிப்பதிவாளருக்கும் சரிசம சபாஷ்! பருவங்களாக நகர்கிற கதையில் மழை, வெயில், வசந்தம் என்று கால நிலைகளைக் கச்சிதக் காட்சிகளாக்கி இருக்கிறார் ஒளிப்பதிவாளர் பிரேம்குமார். ஜேம்ஸ் வசந்தன் இசையில் பாலமுரளி கிருஷ்ணாவின் குரலில், 'அன்பாலே அழகாகும் வீடு...' மனதைப் பஞ்சாக இழையவைக்கிறது.
ஒரு சின்ன நகரத்தில் இப்படி ஒரு ஜோடி ஸ்கூட்டியில் வளைய வரும் விஷயம் வீடு வந்து சேர எத்தனை நாளாகும்? முதல் பாதியில் வேடிக்கை வினோதக் காட்சிகளே தொடர்வது, ட்விஸ்ட் அண்ட் டர்ன் எதிர்பார்க்கும் யுகத்தில், கொஞ்சம் நீளமே. அன்புவின் அப்பா குடம் தயாரிக்கும் ஃபேக்டரி ஆரம்பிக்கும்போதே கணவன்-மனைவி இருவரும் ராசியாகிவிடுகிறார்கள். அதற்கடுத்தும்விவாகரத்து அளவுக்கு வரும் குடும்பச் சண்டையும், சொக்கலிங்க வாத்தியாரின் அட்வைஸூம் திணிக்கப்பட்ட உணர்வையே தருகின்றன. படத்தின் பெரும்பான்மைக் காட்சிகளில் இல்லாத சினிமாத்தனம், அன்புக்கு ஆக்ஸிடென்ட் ஆவதில் இருந்து எட்டிப் பார்த்து, 'உள்ளேன் ஐயா' சொல்கிறது.
பெற்றோருக்கும் குழந்தைகளுக்குமான இருவேறு உலகங்களை இணைத்து அத்தனை நல்ல விஷயங்களையும் சொல்கின்றன ஒவ்வொரு காட்சியும் வசனமும். பஞ்ச் பேசி, பறந்து அடித்து, ரிப்பீட் கதைகளால் ரிவிட் அடிக்கும் அத்தனை ஆல் கிளாஸ் மாஸ் ஹீரோக்களுக்கும் அலாரம் அடிக்கிறார்கள் இந்தக் குட்டிப் 'பசங்க'!
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From: Sourav
on 8th May 2009 07:33 AM
[Full View]
Originally Posted by
jaaze
Originally Posted by
Nerd
Vikatan has given 50, the highest since kAdhal. I am yet to read a single negative review
yaarumE pArkkalaiyA?
but I am not all that interested
me too
enna thaan nalla(?) padamaa irunthaalum ozhungana marketing, promos, commercial elements illainaa ippadi thaan
Same here...neraya nalla reviews varuthu...but, pakkanumnu thonala....dunno y...
but, at the same time i want to watch newton even though thats getting avg/good (not great like pasanga) reviews...
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From: Raikkonen
on 8th May 2009 07:34 AM
[Full View]
. பஞ்ச் பேசி, பறந்து அடித்து, ரிப்பீட் கதைகளால் ரிவிட் அடிக்கும் அத்தனை ஆல் கிளாஸ் மாஸ் ஹீரோக்களுக்கும் அலாரம் அடிக்கிறார்கள் இந்தக் குட்டிப் 'பசங்க'!
ippathan oru valiya onji kedanthuchu.. marupadiyum kelappitangayya...
vikatan attayile back and front story/ad varumpothe nenachen.. ipdi kokkumakka mark poduvangannu..
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From: joe
on 9th May 2009 10:02 PM
[Full View]
குழந்தைகள் படம் என்றாலே முதலில் தொலைந்துப்போவது யதார்த்தம். குழந்தைகள் வயசுக்கு மீறிய செயல் செய்பவர்களாக காட்டுவார்கள். அல்லது பத்து, பண்ணிரண்டு வயது சிறுவர் சிறுமிகளைகூட நான்கைந்து வயதுக் குழந்தைகளுக்கான மனமுதிர்ச்சியோடு அநியாயத்துக்கு குழந்தைத்தனமாக காட்டுவார்கள். அதிலும் மணிரத்னம் படங்களில் காட்டப்படும் குழந்தைகளை நாலு சாத்து சாத்தலாமா என்று இருக்கும். ’அழியாத கோலங்கள்’ படத்துக்குப் பிறகு யதார்த்தமான ஒரு குழந்தைகளுக்கான படம் வந்ததா என்று யோசித்து யோசித்து மண்டை காய்கிறது. ‘பசங்க’ குழந்தைகளுக்கான எதிர்ப்பார்ப்பை சரியாகப் பூர்த்தி செய்கிறது.
http://www.luckylookonline.com/2009/...g-post_09.html
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From: P_R
on 9th May 2009 10:49 PM
[Full View]
Half-funny
anga inge nallA irundhaalum
Overall quite bland
aanaa ellArum vaLarum kalaignargaLai aadharichirunga.
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From: VENKIRAJA
on 9th May 2009 10:59 PM
[Full View]
Originally Posted by
Nerd
Vikatan has given 50, the highest since kAdhal. I am yet to read a single negative review
yaarumE pArkkalaiyA? but I am not all that interested
kAdhalukku evLO pOttAinga? Anyone has any probable list of top rated movies in AV? AFAIK 16V is the highest, and in the recent years its TT I believe.
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From: Nerd
on 9th May 2009 11:34 PM
[Full View]
I forgot TT. I think it got 52 or something. kAdhal got 50. 16V is the highest with 63. muLLum malarum got 61 and a bunch of kamal films (hey raam, mahAnadhi) got 60.
PR, Vega epdi pannirukkAnga? I heard she is good in a short role..
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From: villan007
on 9th May 2009 11:59 PM
[Full View]
Originally Posted by
Nerd
PR, Vega epdi pannirukkAnga? .
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From: Thirumaran
on 10th May 2009 12:28 AM
[Full View]
Originally Posted by
villan007
Originally Posted by
Nerd
PR, Vega epdi pannirukkAnga? .
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From: Nerd
on 10th May 2009 12:51 AM
[Full View]
naansanss..
vega is very cute ya. I have both my eyes on her. I yam a fan of her Australian English
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From: sakaLAKALAKAlaa Vallavar
on 10th May 2009 09:41 AM
[Full View]
Originally Posted by
Prabhu Ram
aanaa ellArum vaLarum kalaignargaLai aadharichirunga.
Intha maathiriyaana clean film flop aanaalum sari konjam hit aanaalum sari, yaarum indal panna maattaargal. athuve aatharavu thaan.
oru velai blockbuster aachunna, udane chaaru maathiri mentals udane oru pathivu pottu kurai solliduvaanga!
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From: viraajan
on 10th May 2009 09:51 AM
[Full View]
Originally Posted by
VENKIRAJA
Originally Posted by
Nerd
Vikatan has given 50, the highest since kAdhal. I am yet to read a single negative review
yaarumE pArkkalaiyA? but I am not all that interested
kAdhalukku evLO pOttAinga? Anyone has any probable list of top rated movies in AV? AFAIK 16V is the highest, and in the recent years its TT I believe.
Kadhal 50, Autograph 52. Yes, 16V is the highest. Some bagyaraj movies have got 50+ .
I was shocked to see 50 marks yesterday.
But yes, neenga ellarum sollra madiri, pAthE theeranum'ngara interest illa...
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From: P_R
on 10th May 2009 12:17 PM
[Full View]
Originally Posted by
Nerd
PR, Vega epdi pannirukkAnga? I heard she is good in a short role..
The louu-track itself is kinda mokkai. There is one long 'comic' sequence which was 'duh' but many in the theatre where in splits. In those her acting was pretty so-so. But later she had some redeeming scenes.
Overall the acting is good in the film. In fact there were some genuinely funny scenes too. The school and kids had many worth-watching scenes. The girl who plays 'manOnmani' acts quite well. Overall not bad at all.
I think the problem is they didn't know what to do with two and a half hours !! If they just had a short film the gags and story would have worked. With 2.5 hrs they had to have moralizing, parents thirundhing, BMK singing a Vikraman style song, cliched hospital scenes etc.
-
From: equanimus
on 11th May 2009 12:48 PM
[Full View]
Ho hum. ennavO pOnga, ippallAm oNNumE puriyaRadhilla. vayasAyiduchchunnu nenakkEn...
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From: P_R
on 11th May 2009 12:55 PM
[Full View]
Noble attempts-ai aadharikka kadavadhu-nnu nethiyila ezhudhiyurukkAn. ippidi edhayAvadhu pAththu thaan kaalaththai Otta vENdi irukku
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From: equanimus
on 11th May 2009 01:10 PM
[Full View]
I went all the way to Krishnagiri to catch the film. adhuvum oru noble attempt dhAn'nEn.
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From: equanimus
on 11th May 2009 01:15 PM
[Full View]
Baradwaj Rangan on this film and The New Tamil Cinema.
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From: app_engine
on 12th May 2009 01:30 AM
[Full View]
that’s just the feel, thankfully, and not the content, which is blessedly homegrown, and which appears to have been
cultivated under the shadow of Ilayaraja. When I watched the numerous references to the maestro’s music in Subramaniyapuram, I figured it was because the film was set in the eighties. But what, then, explains the O papa laali ringtone in Pasanga, or the prelude of Paadavandhadhor gaanam being employed to underscore a romantic moment? In a similarly reverential vein, the equally contemporary Kungumapoovum Konjumpuraavum features, in quick succession, Vandhanam vandhanam, Paattaale buthi sonnaar, Velakku vacha nerathile, Solam vedhakkayile, Aaha vandhiruchu and Ore naal unai naan.
நாம அடிக்கடி இங்க சொல்லுறத ஒரு பெரிய விமர்சகரும் சொல்லுறார்
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From: Nerd
on 8th June 2009 07:23 AM
[Full View]
Not bad. The best thing about this film is the characterizations. Acting was pretty good too. And unlike suppipuram all the actors were spot on with the accent and blended smoothly into the milieu. Most of the scenes not involving the pasanga were superb. The silly romaans worked for me. The director using various ringtones to convey the emotions was very enjoyable. Vega was superb I thought but the real stand-out performance was from Vega's boyfriend meenAtchi.
* udane phone eduthA summA irukkOm-nu nenaichirraainga
*paavaNda avan.. evlo kastappaduraan theriyumaa..ambuttu vELayium avan dhaan seyya vENdi irukku.. yaaraa? ennaya thaaNdA sOlrEn!
*nalla vELai serial mudinchiruchu (after all the melodrama gets over at one point)
The pasanga were OK. Anbu was the best of them all. Jeeva was sort of irritating especially the voice. In fact Jeeva's mom at one point yells -
summA keechu keechu-nu kathaadhadaa. His sidekicks were good. Manonmani's plastic smile was another irritant. The director could have done away with the clap theory flashback. I mean it was pretty obvious and at least two scenes prior to that explain the theory. The last 45 mins or so was unbearable. Reminiscent of Vikraman/V Sekar films.
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From: MADDY
on 8th June 2009 03:05 PM
[Full View]
Originally Posted by
app_engine
that’s just the feel, thankfully, and not the content, which is blessedly homegrown, and which appears to have been
cultivated under the shadow of Ilayaraja. When I watched the numerous references to the maestro’s music in Subramaniyapuram, I figured it was because the film was set in the eighties. But what, then, explains the O papa laali ringtone in Pasanga, or the prelude of Paadavandhadhor gaanam being employed to underscore a romantic moment? In a similarly reverential vein, the equally contemporary Kungumapoovum Konjumpuraavum features, in quick succession, Vandhanam vandhanam, Paattaale buthi sonnaar, Velakku vacha nerathile, Solam vedhakkayile, Aaha vandhiruchu and Ore naal unai naan.
நாம அடிக்கடி இங்க சொல்லுறத ஒரு பெரிய விமர்சகரும் சொல்லுறார்
B.Rangan is a hardcore Raaja fan, if u didnt know already.......
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From: Sarna
on 8th June 2009 03:19 PM
[Full View]
<<< it appears that Hindi cinema is wantonly promiscuous, tempted by the wicked blandishments of world cinema >>>
yEdhO solla varaar namma BR.... ennanu konjam yaaraavudhu velakkureengalaa
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From: Anban
on 8th June 2009 07:08 PM
[Full View]
Originally Posted by
Sarna
<<< it appears that Hindi cinema is wantonly promiscuous, tempted by the wicked blandishments of world cinema >>>
yEdhO solla varaar namma BR.... ennanu konjam yaaraavudhu velakkureengalaa
avarukku english-la neraya words theriyumnu solla varaaru
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From: HonestRaj
on 8th June 2009 10:19 PM
[Full View]
Originally Posted by
Anban
Originally Posted by
Sarna
<<< it appears that Hindi cinema is wantonly promiscuous, tempted by the wicked blandishments of world cinema >>>
yEdhO solla varaar namma BR.... ennanu konjam yaaraavudhu velakkureengalaa
avarukku english-la neraya words theriyumnu solla varaaru
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From: Dinesh84
on 8th June 2009 10:25 PM
[Full View]
Really a superb movie...
After a long long time i had the satisfaction of watching a good movie.. A must watch film for all.. you will never regret it..
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From: Sanguine Sridhar
on 16th June 2009 01:12 PM
[Full View]
Superb movie!
Climax-a mattum konjam redesign pannirundha it would have been clinical!
Pakkada character is awesome! The way he says
"Seringa captain!"
Padam aarambikum podhu ennakku avvalava pidikala but as the movie progresses..
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From: crajkumar_be
on 17th June 2009 01:37 PM
[Full View]
Fortunately, i resisted the urge to stop watching the torture of the initial half an hour plus or so. Overall, not bad, some very good scenes and good acting
Liked very much the way the husband-wife characters and their conflict was written
Apart from the beginning, ellarum sonna madhiri climoks
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From: equanimus
on 17th June 2009 01:59 PM
[Full View]
Unlike most people, I thought the film the film's climax was very much in sync with the rest of the film. One must try to find out exactly what one's objection is. Is it the boy's accident itself or the manner in which everyone round him up and exclaim, "come on, Anbu, you can do it!"? (Whether they are suggesting that he can "do" death or "do" life was not very clear, at least to this viewer.)
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From: Kalyasi
on 17th June 2009 02:28 PM
[Full View]
Originally Posted by
equanimus
Unlike most people, I thought the film the film's climax was very much in sync with the rest of the film. One must try to find out exactly what one's objection is. Is it the boy's accident itself or the manner in which everyone round him up and exclaim, "come on, Anbu, you can do it!"? (Whether they are suggesting that he can "do" death or "do" life was not very clear, at least to this viewer.)
Exactly this piece.... but overall a paakum pothu antha scene oda baadhippu romba illa....
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From: VENKIRAJA
on 17th June 2009 04:57 PM
[Full View]
Originally Posted by
equanimus
Unlike most people, I thought the film the film's climax was very much in sync with the rest of the film.
Right. But they were shouting at the audience the same thing about 'motivation' in every possible scene.. ringtone, colony day, the IAS thing and all that.
Strictly okay movie. Due to the onslaught of movies like Rajadhi Raja, Kulir 100, Thoranai, etc. all over, people find this movie better. ambttuthEn.
-
From: Sarna
on 17th June 2009 05:08 PM
[Full View]
Originally Posted by
VENKIRAJA
Originally Posted by
equanimus
Unlike most people, I thought the film the film's climax was very much in sync with the rest of the film.
Right. But they were shouting at the audience the same thing about 'motivation' in every possible scene.. ringtone, colony day, the IAS thing and all that.
Strictly okay movie.
Due to the onslaught of movies like Rajadhi Raja, Kulir 100, Thoranai, etc. all over, people find this movie better. ambttuthEn.
Surya fans maadhiriyE pEsureenga
-
From: VENKIRAJA
on 17th June 2009 05:20 PM
[Full View]
Originally Posted by
Sarna
Originally Posted by
VENKIRAJA
Originally Posted by
equanimus
Unlike most people, I thought the film the film's climax was very much in sync with the rest of the film.
Right. But they were shouting at the audience the same thing about 'motivation' in every possible scene.. ringtone, colony day, the IAS thing and all that.
Strictly okay movie.
Due to the onslaught of movies like Rajadhi Raja, Kulir 100, Thoranai, etc. all over, people find this movie better. ambttuthEn.
Surya fans maadhiriyE pEsureenga
Seriously speaking, 2008 itself was bad. 2009 looks worse. IMO 4 films in two years: Anjaadhe, Su.Pu, Kaanjeevaram, VKK so far (Didn't watch Poo yet from the recommendations) Pasanga is in the league of Santosh Subbu, et al only... IMO.
-
From: Sarna
on 17th June 2009 05:30 PM
[Full View]
Originally Posted by
VENKIRAJA
Seriously speaking, 2008 itself was bad. 2009 looks worse. IMO 4 films in two years: Anjaadhe, Su.Pu, Kaanjeevaram, VKK so far (Didn't watch Poo yet from the recommendations) Pasanga is in the league of Santosh Subbu, et al only... IMO.
innum
Naan kadavul paakkalayaa
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From: equanimus
on 17th June 2009 06:08 PM
[Full View]
Originally Posted by
VENKIRAJA
Originally Posted by
equanimus
Unlike most people, I thought the film the film's climax was very much in sync with the rest of the film.
Right. But they were shouting at the audience the same thing about 'motivation' in every possible scene.. ringtone, colony day, the IAS thing and all that.
Well, that was my point, Venkiraja.
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From: crajkumar_be
on 17th June 2009 06:12 PM
[Full View]
Eq/Venki,
"encraajement" ellam padam poora irundhuchu but that scene just stuck out. I mean ignore panna kooda mudiyaadhu!
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From: equanimus
on 17th June 2009 06:22 PM
[Full View]
Originally Posted by
Kalyasi
Originally Posted by
equanimus
Unlike most people, I thought the film the film's climax was very much in sync with the rest of the film. One must try to find out exactly what one's objection is. Is it the boy's accident itself or the manner in which everyone round him up and exclaim, "come on, Anbu, you can do it!"? (Whether they are suggesting that he can "do" death or "do" life was not very clear, at least to this viewer.)
Exactly this piece.... but overall a paakum pothu antha scene oda baadhippu romba illa....
Kalyasi,
But that was only a logical extension (or should I say, culmination) of what had transpired until then. If not anything earlier, at least the running race scene clearly sets us up for this kind of climax.
-
From: equanimus
on 17th June 2009 06:36 PM
[Full View]
Originally Posted by
crajkumar_be
Eq/Venki,
"encraajement" ellam padam poora irundhuchu but that scene just stuck out. I mean ignore panna kooda mudiyaadhu!
Bala,
nInga enna solla varIngannu puriyudhu! indhap padam vERa eppadi mudinjirukka mudiyumnu dhAn yOsikkaREn.
Jokes apart, I thought some of the key motifs of the film were unremarkable if not downright silly. For instance, the recurrent framing of some of the scenes with the kids as some sort of "equivalent" of an adult scene didn't go well with me. It was supposed to be funny or a bit of a surprise, but I didn't get it at all.
-
From: Nerd
on 17th June 2009 07:01 PM
[Full View]
Venki, ringtone scenes-la enna motivason?
I don't think the movie can be evaluated as a *single package*. Most of the scenes were good in the first 90 minutes while the last one hour or so was terrible. But the writing(charecterisations of the parents) and the acting was consistent throughout I thought. Avinga vikraman padam maathiri raasi aaguRathu etc. were OK.
-
From: crajkumar_be
on 17th June 2009 07:05 PM
[Full View]
Originally Posted by
Nerd
Venki, ringtone scenes-la enna motivason?
Meenakshi Sndaram gives some bit about encouraging Sobi...
most of the ringtone scenes were soora mokkai, i thought
-
From: Nerd
on 17th June 2009 07:27 PM
[Full View]
People calling her from different numbers to encrage? Those were meant to be funny. Worked the first time but I thought they overdid it. But I loved the pair.
Andha whistle ringtone endha song-nu yaaraavadhu sollungalEn please.
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From: equanimus
on 17th June 2009 07:33 PM
[Full View]
Originally Posted by
Nerd
Andha whistle ringtone endha song-nu yaaraavadhu sollungalEn please.
Kill Bill.
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From: Nerd
on 17th June 2009 07:50 PM
[Full View]
Oh yeah! Elle whistles that song IIRC.
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From: Sanguine Sridhar
on 17th June 2009 10:44 PM
[Full View]
Originally Posted by
equanimus
Unlike most people, I thought the film the film's climax was very much in sync with the rest of the film. One must try to find out exactly what one's objection is. Is it the boy's accident itself or the manner in which everyone round him up and exclaim, "come on, Anbu, you can do it!"? (Whether they are suggesting that he can "do" death or "do" life was not very clear, at least to this viewer.)
I am ok with this part.
But Hindu, Christian, Islam saamigalkita pasanga ellam vendikiradhu
Indha padathula enakku romba pudichadhu, china pasanga "level"-la think panna vitrukuradhu thaan...
1. Then-na thalaila thadavuradhu.
2. Kaasu vetti poduradhu
3. Kari naaku payyan ta arul vaaku kekuradhu
4. The best part is the letter which they exchange before the climax!
etc...
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From: littlemaster1982
on 20th June 2009 07:54 AM
[Full View]
Originally Posted by
crajkumar_be
Originally Posted by
Nerd
Venki, ringtone scenes-la enna motivason?
Meenakshi Sndaram gives some bit about encouraging Sobi...
most of the ringtone scenes were soora mokkai, i thought
Meenakshi's first meeting with Sobi. He says something like "Neenga elloraiyum nalla paraattuveengalaam. Adhukkellam oru nalla manasu venunga".
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From: HonestRaj
on 20th June 2009 10:59 PM
[Full View]
Originally Posted by
Sarna
Originally Posted by
VENKIRAJA
Originally Posted by
equanimus
Unlike most people, I thought the film the film's climax was very much in sync with the rest of the film.
Right. But they were shouting at the audience the same thing about 'motivation' in every possible scene.. ringtone, colony day, the IAS thing and all that.
Strictly okay movie.
Due to the onslaught of movies like Rajadhi Raja, Kulir 100, Thoranai, etc. all over, people find this movie better. ambttuthEn.
nan munnadiye sollitaen..... AYAN & PASANGA.. idhukku idayil MARIYADHAI-nu oru padam vandhu .. sirappa oadiyadhunnu.. yarume kandukkalai
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From: HonestRaj
on 30th June 2009 10:32 PM
[Full View]
Originally Posted by
Nerd
Most of the scenes were good in the first 90 minutes
Originally Posted by
Nerd
while the last one hour or so was terrible
pakkada...... counting the no. of leaves in each month
2nd time he does it imitating Vijayakanth (statistics)
dei edhachum vangi saptutte pesuvoam da
idhai nan aamodhikkiraen
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From: Sanguine Sridhar
on 1st July 2009 11:22 AM
[Full View]
IMO 'Pasanga' acting were much natural and apt than the 'Pasanga' who acted in Anjali.
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From: VENKIRAJA
on 1st July 2009 12:16 PM
[Full View]
Originally Posted by
Sanguine Sridhar
IMO 'Pasanga' acting were much natural and apt than the 'Pasanga' who acted in Anjali.
No.
Maybe because I don't know how small town kids behave, just that I've played silly games with them in the summer holidays. I lived in an apartment since my kindergarten till middle school and Anjali is Bull's eye!
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From: Rocky89
on 1st July 2009 01:30 PM
[Full View]
Watched Pasanga..
Very2 impressive
This should be the 'must watch film'
Thoroughly enjoyable..
Eventhough the climax looks so artificial
but overall as a film, Pasanga is enjoyable.. Is Jeeva's character inspired by Draco Malfoy of Harry Potter??
Evil inside and always accompanied by two side kicks
Bujjima
the way that kid says 'eppudeee?' and 'engga appa mela kaiya vechha konnupuduven'
He reminds me of my 2-year old cousin!! :P
Humours in this movie are fabulous..
Anbu's appa : Hello yaaru Japan'lerntha?? Bujjima va? Dei avan kozhanda daa..
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From: sakaLAKALAKAlaa Vallavar
on 1st July 2009 02:58 PM
[Full View]
very nice movie, inspite of the odds like climax. first of all, seeing the tone of the movie all over, i never expected climax wud be great. their attitude was to end the movie somehow and there is just no way.
director looked like much interested in portraying good stuff all over the movie and there were lots of mini climaxes, like anbu's dad thirunthifying, vega's dad accepting their louu ect. after that, there is no job other than uniting the two kid who were fighting all over. so there is no choice other than a typical klimakks accident. remember alaipayuthey?!?
one important point is, manytimes i never got that the ringtones were ringtones. i just thot they were BGM
until my wife told
all characters was natural, remba plan pannirukkaainga, i wud even wish a second watch. pakkadaa and meenaachi are pesal mention
vega
was her soroja?? very nice! neshtu thread ivingalukkuthaan!!
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From: sakaLAKALAKAlaa Vallavar
on 1st July 2009 03:03 PM
[Full View]
looking at the initial promos, like kids dressing like suppipuram getups, and one kid doing a KK and VV :shocking:
one wud have lost interested in movie, but the recent mini trailers and promos will encourage many to watch the movie, they just put the real scenes.
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From: crajkumar_be
on 1st July 2009 03:09 PM
[Full View]
Originally Posted by
VENKIRAJA
Originally Posted by
Sanguine Sridhar
IMO 'Pasanga' acting were much natural and apt than the 'Pasanga' who acted in Anjali.
No.
Maybe because I don't know how small town kids behave, just that I've played silly games with them in the summer holidays. I lived in an apartment since my kindergarten till middle school and
Anjali is Bull's eye!
What?
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From: Sanguine Sridhar
on 1st July 2009 03:15 PM
[Full View]
Originally Posted by
VENKIRAJA
Originally Posted by
Sanguine Sridhar
IMO 'Pasanga' acting were much natural and apt than the 'Pasanga' who acted in Anjali.
No.
Maybe because I don't know how small town kids behave, just that I've played silly games with them in the summer holidays. I lived in an apartment since my kindergarten till middle school and Anjali is Bull's eye!
Venki,
Ennoda schooling - Vellore, Thiruvanamalai, Karaikudi, Trichy,Tanjore,Cuddalore [Thanks to my Dad]. All the characters in this movie brought my old memories back of all the places. Idhu thaan bulls eye.
Anjali-la vara pasanga characters ellam vayasukku meerina pechu, IMO!
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From: Sanguine Sridhar
on 1st July 2009 03:17 PM
[Full View]
Originally Posted by
sakaLAKALAKAlaa Vallavar
all characters was natural, remba plan pannirukkaainga, i wud even wish a second watch. pakkadaa and meenaachi are pesal mention
Another notable character is Mangalam - the guy with specs, Anbu's friend.
"Anbu, avana adichidu..unnala mudiyum"
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From: P_R
on 1st July 2009 03:29 PM
[Full View]
Originally Posted by
crajkumar_be
Originally Posted by
VENKIRAJA
Maybe because I don't know how small town kids behave, just that I've played silly games with them in the summer holidays. I lived in an apartment since my kindergarten till middle school and Anjali is Bull's eye!
What?
MR kids யதார்தத்தை மீறின stylistics.
Extremely unreal but that is precisely why it is enjoyable for kids.
I loved that movie when I saw it. It treated kids as adults, life of their own, concerns that are theirs, voyeuristic thrills like climbing down the drainpipe to dance with friends' in the dead of the night, knowing more than what the oldies think we know etc.
Pasanga was more 'amusing' to see little ones being so precociously self-concerned and independent. But there was something in "Something something" that was not there in naan dhaan 'ngoppan dA, despite the trying.
The obvious fact is that we have grown older. So must find out if the kids are enjoying Pasanga. indha kaalathu kid-sE vEra 'ndreengaLa. adhuvum sarithaam. naangellaam andha kaalathula....
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From: sakaLAKALAKAlaa Vallavar
on 1st July 2009 03:47 PM
[Full View]
chumma oru davuttu.. padangal, manithargaL kids, climax, ellaame eppavume cinemavile yatharthama irukkanumnu yen expect panreenga?!? interestingaa illayaannu ketta thats understandable.
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From: P_R
on 1st July 2009 03:50 PM
[Full View]
yAdhArthamA illai, interesting-A irundhuchchu-nu ippo dhaan solli mudichchEn
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From: sakaLAKALAKAlaa Vallavar
on 1st July 2009 03:53 PM
[Full View]
i missed ur post, was replying smae time i think...
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From: equanimus
on 1st July 2009 05:05 PM
[Full View]
I must say, my respect for the way Mani Ratnam treats his kid characters only grew after watching 'pasanga.' Let me for the moment steer away from the "yadhArththam" line of argument.
Take 'anjali.' I don't think it's an especially good film in his oeuvre. But even when making a completely compromised film about a mentally retarded child (wed this subject with ET, seriously?), MR's deftness at handling children shines throughout the film. The kids in the colony are a bunch of brats alright, and just about everything is too colourful and gung-ho. But one can make these criticisms only in a certain framework. First, one has to recognise that the main kid characters in the film are enabled as full beings remarkably well. Secondly, several characters (including adults) in Mani's films embody this sort of cheerful free-spirited liberty. So how valid it is to place this criticism only when it comes to kids? The liberty the children take in 'anjali' (and in most of Mani Ratnam's films) is in some sense emblematic.
Actually 'pasanga' too attempts to do a lot of this, but ends up doing it in a bad way. For instance, the recurrent staging of the scenes with the kids as some sort of "equivalent" of an adult scene. This is silly because the film tries to enable the kids as full beings by way of mapping it to scenes from adult life. This is precisely why these scenes 'amuse' us (as PR sharply observes). We're expected to be amused at the way one of the kids plans to throw honey on some other kid's hair. Because it is supposed to remind us of how an adult male plans to throw acid on a girl! (Why these two are some sort of equivalents, I've no idea.) Wonder why this never happens in 'anjali'! While most of the audience identified them as a bratty lot, there was no such issues for them in 'pasanga'! That is because even the naughty kids in this film don't cross the line. To make matters further innocuous, it has a protagonist whose only connection with 'naughty' is that he knows how to spell it!
Coming back to my first point, to my mind there's not a single scene in 'pasanga' which expresses a kid's intimate feelings (the kind of stuff they share only with each other) half as well as some scenes in 'anjali.' Most of the film is filtered through how a sensitive and liberal adult views kids. Reciting pledges, being friendly, conducive domestic environment, studying well, encouraging parents, getting the right degrees and what not. On the other hand, consider the couple of scenes with Arjun and Anu in their bedroom in 'anjali.' It's something else altogether.
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From: Nerd
on 1st July 2009 07:23 PM
[Full View]
equanimus, great post
Also the acting of the trio in anjali (Tharun, Shamili , ?) >>> the acting of the trio in pasanga (Anbu, Jeeva, Manonmani). Mani RatnathOda combarison panra aLavukku padathula onnum illai.
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From: Sanguine Sridhar
on 1st July 2009 08:19 PM
[Full View]
I am not that much convinced regarding the Anjali kids [remember only kid to ignore is shamili].
I am not comparing Anjali and Pasanga as the plot differs.
Pasanga is not the movie
only for kids. Its the movie for the parents also.
EQUA:
We're expected to be amused at the way one of the kids plans to throw honey on some other kid's hair. Because it is supposed to remind us of how an adult male plans to throw acid on a girl! (Why these two are some sort of equivalents, I've no idea.)
The directors likes to say that 'pasanga' are still 'pasanga', they of course think like 'pasanga'. Its the adults who thinks that they might throw acid kind-a thing.
Also ... Do you remember the letter they write to their class teacher. How beautiful was that?!
Anjali-la lovers-a sethu vaikiradhukkaga 'pasanga' plan poduradhu and then motta maadi paatu romba avasiyama?
motta maadi motta maadi, oru love jodi love jodi
ilavasama....oru cinema namakaaga..nadakudhu...
Here in pasanga andha age-la love-a treat pannuvaangalo appadi treat pannina maadhri kaatnadhu buthisaalithanam.
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From: Sanguine Sridhar
on 1st July 2009 08:24 PM
[Full View]
Idhuku mela interesting, yedhartham appadi ippadi-nu perusa ezhudhuneengana naan odi poiduven
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From: P_R
on 1st July 2009 08:27 PM
[Full View]
Sridhar, Anjali had its enjoyable departures from yadhArtham. MottamAdi is one of that. The kurukuruppu of kids being abled to blend into adult business is exactly what is appealing to kids...or to stretch a bit 'exclusively' to kids.
the adhigaprasangithanam is very different from the 'like grown-up' theme in Pasanga.
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From: jaiganes
on 1st July 2009 08:29 PM
[Full View]
I used to loathe MR kids, however I have found that it is more of jealosy. They were able to do things that I had not dared think of!
Instead of enjoying their playful antics, i hated them for it. Ofcourse, the kids I loved the most came from a place called 'Malgudi'. Weren't they special?
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From: Nerd
on 1st July 2009 08:30 PM
[Full View]
Mottamaadi/kids helping louu ethaartham illaiyA? Chinna vayasula neengaLLAm (or at least your friends) louu-kku help panninathillai? And ilavasamaa oru cinema pArthadhillaiyA?
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From: Madhu Sree
on 1st July 2009 08:39 PM
[Full View]
Originally Posted by
Nerd
Mottamaadi/kids helping louu ethaartham illaiyA? Chinna vayasula neengaLLAm (or at least your friends) louu-kku help panninathillai?
apdi naan kelvi pattadhe illai...
And ilavasamaa oru cinema pArthadhillaiyA?
adhu vera meaning la illa picturize panniyiruppaanga...
idhellaam too much-aa irukkum...
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From: Nerd
on 1st July 2009 08:55 PM
[Full View]
Hmm.. In how many films have we seen kids being used as messengers? I have seen something like that in real life too. As far as mottamaadi is concerned, I don't think they crossed the line.
Sari, pasangaLukku varuvOm. The whole character establishment episode was shabbily done and it was far from yedhArtham. Starting from the first scene in police station. The sakkarai pongal scene is the worst of them all. I mean they are doing their 7th standard for God's sakes. Even Slumdaak Jamal won't do such a thing.
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From: MADDY
on 1st July 2009 08:58 PM
[Full View]
Originally Posted by
Nerd
And ilavasamaa oru cinema pArthadhillaiyA?
adhellam paatha udane pudikkadhu, paakka pakka dhaan pudikkum :P .......whom are we kidding - i have heard i love you (not directed at me though) when i was in 3rd standard
.....by 6th standard, guys in my class started having romantic interests and im talking abt 1992 in a remote suburb in chennai :P ........ofcourse, love letter passing, telling amma abt alleged affairs betn youths of colony were also part of the activities......edhuvume over illa Anjali-la
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From: crajkumar_be
on 1st July 2009 09:00 PM
[Full View]
Pasanga first hour - stuppit nonsense, granted
Adhukku nu...?
First of all, Anjali-ya ve "cute" a kaamchiruppainga!!!!! Enough said
Anjali-a ellam defend panradhellam too much-nga. Apparam naanga (??) Kavudham Menon a defend pannuvom
Anjali = Ilaiyaraaja. Case closed. Next
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From: Nerd
on 1st July 2009 09:07 PM
[Full View]
Originally Posted by
crajkumar_be
First of all, Anjali-ya ve "cute" a kaamchiruppainga!!!!! Enough said
endha Anjali-ya solreenga? Indha onneli, rendeli, mooneli, naaleli, anjali-yA? Avingalum cute-nradhu Vera vishayam
But oru 2 vayasu kozhanthai cute dhaanE.. Or am I missing something?
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From: MADDY
on 1st July 2009 09:13 PM
[Full View]
Originally Posted by
crajkumar_be
Pasanga first hour - stuppit nonsense, granted
Adhukku nu...?
First of all, Anjali-ya ve "cute" a kaamchiruppainga!!!!! Enough said
Anjali-a ellam defend panradhellam too much-nga. Apparam naanga (??) Kavudham Menon a defend pannuvom
Anjali = Ilaiyaraaja. Case closed. Next
Anjali is a below normal effort from mani-ngradhu dhaan Equa othukkittare......but the way anjali appealed to kids in the sense, as a kid, you felt kids have a life of their own.......i dont think that is brought out in pasanga.....
varra pudhu pasanga ellarayum maniratnathoda compare vendiyadhu and conclude they did better job than mani-nnu conclude panna vendiyadhu
:P
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From: Sanguine Sridhar
on 1st July 2009 09:20 PM
[Full View]
Manirathnam-a pudhu pasangaloda naan compare panninena? What nonsense?!!! I am just comparing a small part of the movie, adhukellam tension aana eppadi? I know the greatness of MR, please....!
Naan aataike varala
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From: crajkumar_be
on 1st July 2009 09:21 PM
[Full View]
Maddy,
Enakkum Anjali remba favorite, release agumbodhu (IR + Mani Sir). Aana ippo neraya seyarkai thanam and adhigaprasangi thanam dhaan theriyidhu. And unfortunately, ippo Pasanga-la namma kuzhandhai manasoda paakka mudiyadhu (enna dhaan yen manasu vellai naalum
)
PR sonna madhiri, pillaingala kettu thaan therinjikkanum
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From: Vivasaayi
on 1st July 2009 09:39 PM
[Full View]
anjali naan kidathan paathen.
according to me only after age 12 or 13 only a kid(?) can start to enjoy or dislike movies.
adhu varaikkum...unakku pidicha hero yaru
"rajjjni" (mukavasi avungappan solli kuduthadha irukkum)
cartoon,songs and dances etc than
I dont think a kid below 10 can actually watch anjali as something that represent their group of people and enjoy...
on the other hand ..i could very well be a late pick up...
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From: MADDY
on 1st July 2009 09:40 PM
[Full View]
Originally Posted by
crajkumar_be
(enna dhaan yen manasu vellai naalum
)
ayya enna sonneng :P
Originally Posted by
Sanguine Sridhar
Manirathnam-a pudhu pasangaloda naan compare panninena? What nonsense?!!! I am just comparing a small part of the movie, adhukellam tension aana eppadi? I know the greatness of MR, please....!
why tenson? look at me -
Originally Posted by
MADDY
varra pudhu pasanga ellarayum maniratnathoda compare vendiyadhu and conclude they did better job than mani-nnu conclude panna vendiyadhu
:P
Razz dhaan use pannirukkene - less tenson, more work - more work
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From: Nerd
on 1st July 2009 09:43 PM
[Full View]
Originally Posted by
vivs
"rajjjni" (mukavasi avungappan solli kuduthadha irukkum)
Appa introduce pannathAn mudiyum. Pudikkradhum pudikkAthathum adhunga ishttam.
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From: equanimus
on 1st July 2009 09:52 PM
[Full View]
Thanks Nerd.
Bala,
Maddy has clarified on my behalf, but just to reiterate, I'm not trying to say that 'anjali' is a particularly good film. Actually I think it's a fairly overrated film! It alternates between the sEttai of the colony kids and this little girl Anjali, and basically sets us up for the climax. So that's where I come from. What I was trying to say is that, even in that film, the way Mani treats his kid characters is more sensitive than how Pandiraj handles them in 'pasanga.'
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From: jaiganes
on 1st July 2009 10:51 PM
[Full View]
Originally Posted by
equanimus
Thanks Nerd.
Bala,
Maddy has clarified on my behalf, but just to reiterate, I'm not trying to say that 'anjali' is a particularly good film. Actually I think it's a fairly overrated film! It alternates between the sEttai of the colony kids and this little girl Anjali, and basically sets us up for the climax. So that's where I come from. What I was trying to say is that, even in that film, the way Mani treats his kid characters is more sensitive than how Pandiraj handles them in 'pasanga.'
it would hve become a classic - if it showed only anjali - but would have run to empty houses and by now everyone would have forgotten it.
Instead Mani cleverly weaves a story that is not too deviant from the subject - a family that is happy, but a cloud of a dead sibling in the corner, change of place, new apartment, kids, suggestion of an affair, plot thickens, knot revealed - surprise - intro - anjali a special child, family reacts, kids and circle reacts everything neatly done - It is the only mani script with knots, surprises, plot points etc., rest of them broadly fall under biopic, romance, family quarrel, terrorism. Anjali is a different movie and so is Kannathil(in comparison wih the rest)
you have to draw people in and hook them and show them what you want to show - effectively all thamizh good movies are just short films - embedded in some silly non sense to draw folks in and keep em engaged. Imagine Sethu without the first half. Manjap pai producer kooda kedachirukka maattaaru.
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From: equanimus
on 1st July 2009 11:05 PM
[Full View]
Oh I completely agree, Jaiganes. Mani Ratnam has always been very shrewd in this respect. Just that the deal of treading the middle path works differently for different films.
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From: Vivasaayi
on 1st July 2009 11:21 PM
[Full View]
anjali had those elements because mani wanted those interesting plot elements to make audience watch what he wanted to show - if i comprehend it correctly from jaiganes' post
nobody would have argued if it was interesting...it was a torture to watch maniratnam movies' kids...adhan vishayame
if it was interesting...over the top or natural - the movie would had been accepted by the majority
But the movie is nowadays ditched by majority because it was a torture.
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From: equanimus
on 1st July 2009 11:23 PM
[Full View]
Originally Posted by
Sanguine Sridhar
The directors likes to say that 'pasanga' are still 'pasanga', they of course think like 'pasanga'. Its the adults who thinks that they might throw acid kind-a thing.
Sridhar,
Yeah, but why constantly draw the equivalence? If this is director's way of saying that the kids too have their own concerns, it's quite problematic. It's a bit like a group of adults/parents talking about their kids in a get-together. When the film satirizes popular Tamil film heroes/archetypes by having them played out by the kids in the beginning, it's interesting. But when it goes on to frame day-to-day mundane scenes in their lives this way, it is basically stopping short of entering
their mundane world in the true sense. This is why the film's concerns are more about child welfare, education etc.
I'm not doubting the film's good intentions here. Like I said, the film aligns itself akin to how a sensitive adult views a kid. I thought it didn't delve enough into their andharanga ulagam.
I agree with one thing though. Pandiraj handles the conflict between Anbu's parents in a better way.
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From: Vivasaayi
on 1st July 2009 11:30 PM
[Full View]
I think its kamals' movies where we can see some good performances and roles for children.
avvai shanmugi kid - wonderfully performed and a good role
mahanadhi - both the boy and shobana played it well
sathi leelavathi - both the kids played it extremely well
kurudhipunal boy,devar magan kids and rarely a maniratnam movie had adorable roles for children - nayagan.
I just loved the performance of raghuvaran in anjali...kids
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From: P_R
on 1st July 2009 11:35 PM
[Full View]
Ditto pOttukittE vandhEn..pArthA..
Originally Posted by
equanimus
I agree with one thing though. Pandiraj handles the conflict between Anbu's parents in a better way.
Eh ?
Comparison does not apply. Different soozhal, different ways of reacting etc. Raghuvaran -Revathi tiff was appropriate in its own way IMO.
In fact in Pasanga, the emphasis in ther fight is again on 'how it affects the kids'. MR actually does the same but so damn well.
Heck, I never thought the day would come when I would be arguing 'for' MR kids. I like to maintain I am not doing that even now. Enakku naanE sollikka vENdi irukku.
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From: crajkumar_be
on 1st July 2009 11:38 PM
[Full View]
Originally Posted by
Prabhu Ram
In fact in Pasanga, the emphasis in ther fight is again on 'how it affects the kids'. MR actually does the same but so damn well.
Aaha, unga crime rate koodikitte pogudhe!
Aduthadhu enna, Geethanjali layum rasikkara amdhiri neraya vishayam irundhuchu nu solluveengalo?
IR, idhu unakku thevaya???
Eq,
I don't know what sensitivity Mani Sir showed. Padam paathu remba naal aachu, but its such an irritant.
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From: jaiganes
on 1st July 2009 11:43 PM
[Full View]
Originally Posted by
Vivasaayi
anjali had those elements because mani wanted those interesting plot elements to make audience watch what he wanted to show - if i comprehend it correctly from jaiganes' post
nobody would have argued if it was interesting...it was a torture to watch maniratnam movies' kids...adhan vishayame
if it was interesting...over the top or natural - the movie would had been accepted by the majority
But the movie is nowadays ditched by majority because it was a torture.
ur opinion is what I had sometime back - and after some gnanodayam, I felt it was my conservative upbringing and the strick 'discipline' inculcated in me that made me feel like that out of pure jealosy. Over the topnna Rama narayanan padamkids over the top -some KB movie kids are over the top. Most people i know - enjoyed the kids nonsense whole heartedly - it was the saccharine coating around the medicine and it served the purpose pretty well.
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From: P_R
on 1st July 2009 11:47 PM
[Full View]
Originally Posted by
crajkumar_be
Originally Posted by
Prabhu Ram
In fact in Pasanga, the emphasis in ther fight is again on 'how it affects the kids'. MR actually does the same but so damn well.
Aaha, unga crime rate koodikitte pogudhe!
AdhAvadhu innum naan kuzhandaigaLai aadharikkalainnEn
Where Anu and Arjun have the conversation about divorce and Arjun says they will never meet again ever in their life."enakku aLugai aLugaiyA varudhu" appidinnu sollittu, the irrepressible Anu intrudes into the parents bedroom and blurts the question.
Revathi is in the foreground and the reaction is in her face. The idea bypassed her, or she didn't have the will to think in the direction, or perhaps voice her will and it gets shot down by Raghuvaran in a moment where he is moved. This is when the cinders are still burning on the issue (it takes a promise the next day to resolve it - i.e. that is a formality. The necessary return to balance has happened the previous night itself).
That scene where the older kid imparts wordly wisdom. The younger kid doesn't care to be the half grown-up that her brother is. The older kid momentarily embarassed by the 'childishness' of the younger kid. The grown-up living in their problems which would have just been that way had they handled it the way they will - if it had not been for a child forcing its blunt worldview.
Like Raju says in MMKR,
avvaLo dhaan 'la !.
There is just no comparing the 'pEsi theeththukkallaam' sequence in Pasanga with this.
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From: littlemaster1982
on 1st July 2009 11:49 PM
[Full View]
Pasanga - Anjali comparison-kke ippadiya? Charu Nivedita
says Pasanga is a better film than 'Children of Heaven'
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From: Vivasaayi
on 1st July 2009 11:50 PM
[Full View]
Originally Posted by
littlemaster1982
Pasanga - Anjali comparison-kke ippadiya? Charu Nivedita
says Pasanga is a better film than 'Children of Heaven'
hehe..
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From: crajkumar_be
on 1st July 2009 11:53 PM
[Full View]
Originally Posted by
littlemaster1982
Pasanga - Anjali comparison-kke ippadiya? Charu Nivedita
says Pasanga is a better film than 'Children of Heaven'
COH fullA pakkala but Saaru sonna correct a thaan irukkum. Ungalukkellaam poramai (GM in Chinna Koundar)
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From: P_R
on 1st July 2009 11:54 PM
[Full View]
Jealousy good angle Jaiganes. Actually that is the reason why I liked the film back then.
After watching the movie I made up stories of my exploits in the night where I escaped my room down the drainpipe.
Never mind that we lived on the ground floor. andha kadhaiyai kEkka school-la 4-5 budhdhisAlip pasanga irundhaanganna pAththukkOngaLEn
Point is, the movie was fascinating because the kids were not shown as 'in-training-queue-to-become-adults, which is what I guess most of felt. They were complete and had a life of their own which struck us (sari,me) with awe.
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From: crajkumar_be
on 1st July 2009 11:54 PM
[Full View]
PR,
Shake gands walk away icon
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From: P_R
on 2nd July 2009 12:02 AM
[Full View]
Originally Posted by
littlemaster1982
Pasanga - Anjali comparison-kke ippadiya? Charu Nivedita
says Pasanga is a better film than 'Children of Heaven'
சாரு,
சமீபத்தில் வந்த 'பசங்க' படம் xyz என்கிற செக் படத்தில் அப்பட்டமான தழுவலாமே. அதை சில்றன் ஆஃப் ஹெவனை விட சிறந்தது என்று எப்படி தேர்ந்த திரைவிமர்சகராக நீங்கள் சொன்னீர்கள்
அன்புடன்
...
-----------
இந்த மடல் அனுப்பிய உங்கள் மேல்தான் ஆத்திரம் வருகிறது. மிலொஸ்லாவ் ஹ்ன்றிக் போன்ற செக் எழுத்தாளர்களைப் பற்றிய முதலில் தமிழில் எழுதியதே நான் தான். எனக்கு அது செக் படத்தழுவல் என்று தெரியாதா. அதைத்தான் நான் எழுதியிருந்தேன் என்பது கூடத் தெரியாமல் எனக்கு வரும் இதுபோன்ற மடல்களுக்கு பதிலனுப்பிக்கொண்டிருப்பதால் தான் லதீஃபுல் மெஹர் எழுதிய அற்புதமான ஃபார்ஸி மொழிக் கவிதைகளை வாங்கிவைத்து படிக்க நேரமில்லாமல் கஷ்டப்படுகிறேன்.
சாரு
-
From: equanimus
on 2nd July 2009 12:02 AM
[Full View]
Originally Posted by
Prabhu Ram
Ditto pOttukittE vandhEn..pArthA..
Originally Posted by
equanimus
I agree with one thing though. Pandiraj handles the conflict between Anbu's parents in a better way.
Eh ?
ada! adhai appadiyA padikkaRadhu? I was saying that the film (that is, 'pasanga') handles their conflict better than the way it handles the kids. adhuvE marginal dhAn. But when they are around, the film seems to be on to something.
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From: P_R
on 2nd July 2009 12:03 AM
[Full View]
Originally Posted by
crajkumar_be
PR,
Shake gands walk away icon
குழந்தை எல்லாம் பிறந்ததும் நான் அங்க வந்து ஜாயின் பண்ணிக்கிறேன்
வாழ்க்கை ஒரு வட்டம்
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From: crajkumar_be
on 2nd July 2009 12:05 AM
[Full View]
Originally Posted by
Prabhu Ram
Originally Posted by
littlemaster1982
Pasanga - Anjali comparison-kke ippadiya? Charu Nivedita
says Pasanga is a better film than 'Children of Heaven'
சாரு,
சமீபத்தில் வந்த 'பசங்க' படம் xyz என்கிற செக் படத்தில் அப்பட்டமான தழுவலாமே. அதை சில்றன் ஆஃப் ஹெவனை விட சிறந்தது என்று எப்படி தேர்ந்த திரைவிமர்சகராக நீங்கள் சொன்னீர்கள்
அன்புடன்
...
-----------
இந்த மடல் அனுப்பிய உங்கள் மேல்தான் ஆத்திரம் வருகிறது. மிலொஸ்லாவ் ஹ்ன்றிக் போன்ற செக் எழுத்தாளர்களைப் பற்றிய முதலில் தமிழில் எழுதியதே நான் தான். எனக்கு அது செக் படத்தழுவல் என்று தெரியாதா. அதைத்தான் நான் எழுதியிருந்தேன் என்பது கூடத் தெரியாமல் எனக்கு வரும் இதுபோன்ற மடல்களுக்கு பதிலனுப்பிக்கொண்டிருப்பதால் தான் லதீஃபுல் மெஹர் எழுதிய அற்புதமான ஃபார்ஸி மொழிக் கவிதைகளை வாங்கிவைத்து படிக்க நேரமில்லாமல் கஷ்டப்படுகிறேன்.
சாரு
-
From: littlemaster1982
on 2nd July 2009 12:15 AM
[Full View]
Idhai naan paakkave illaiye
This guy beats TR and Simbhu by a mile
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From: equanimus
on 2nd July 2009 12:17 AM
[Full View]
Originally Posted by
crajkumar_be
Eq,
I don't know what sensitivity Mani Sir showed. Padam paathu remba naal aachu, but its such an irritant.
Ok, do you remember the two scenes I referred to in
this post? I already said it, they are just something else.
Originally Posted by
equanimus
On the other hand, consider the couple of scenes with Arjun and Anu in their bedroom in 'anjali.' It's something else altogether.
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From: P_R
on 2nd July 2009 12:20 AM
[Full View]
LM
adhu naan chummA oru mimicry paNNEn.
But konja naaL-la palikkiradukku chance irukku-nu ninaikkaREn.
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From: littlemaster1982
on 2nd July 2009 12:23 AM
[Full View]
Originally Posted by
Prabhu Ram
LM
adhu naan chummA oru mimicry paNNEn.
But konja naaL-la palikkiradukku chance irukku-nu ninaikkaREn.
Neenga sollalainna adhu Charu ezhudhinadhu-nudhan ninaichiruppen. It was too close
-
From: MADDY
on 2nd July 2009 09:13 AM
[Full View]
most of those who find Anjali irritating is because they want kids to be the way they think of.....in short, arent kids irritating (when thala sampras was asked whether he would travel to wimbledon this year to see roger making history - he said, have u ever travelled with a 3yr old and 6 yr old
)............maybe in pasanga, kids are more like the way we want them to be, i havent watched the film though (dei, sathyama unakku seettu aada theriyumada)........
gautham-a mani-oda compare pannidhanalaadhaan paathadhu PKMC - someone told he will overtake mani while handling human relationships and its conflicts - avan mattum kaila kedachhan
......so mani comparison-kaaga innoru padam paakkanuma
hmmm...
CR, geetanjali-kku enna korachal
......IR BGMe podhume
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From: groucho070
on 2nd July 2009 10:24 AM
[Full View]
Originally Posted by
MADDY
gautham-a mani-oda compare pannidhanalaadhaan paathadhu PKMC - someone told he will overtake mani while handling human relationships and its conflicts - avan mattum kaila kedachhan
Yaarappa sonnathu. Ithulla overtake veyra
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From: Plum
on 2nd July 2009 10:41 AM
[Full View]
CR, geetanjali-kku enna korachal ......IR BGMe podhume
Maddy, Manirathnamum apdiye nenachadhu dhaan kuraichal
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From: Vivasaayi
on 2nd July 2009 11:45 AM
[Full View]
Originally Posted by
Prabhu Ram
Originally Posted by
littlemaster1982
Pasanga - Anjali comparison-kke ippadiya? Charu Nivedita
says Pasanga is a better film than 'Children of Heaven'
சாரு,
சமீபத்தில் வந்த 'பசங்க' படம் xyz என்கிற செக் படத்தில் அப்பட்டமான தழுவலாமே. அதை சில்றன் ஆஃப் ஹெவனை விட சிறந்தது என்று எப்படி தேர்ந்த திரைவிமர்சகராக நீங்கள் சொன்னீர்கள்
அன்புடன்
...
-----------
இந்த மடல் அனுப்பிய உங்கள் மேல்தான் ஆத்திரம் வருகிறது. மிலொஸ்லாவ் ஹ்ன்றிக் போன்ற செக் எழுத்தாளர்களைப் பற்றிய முதலில் தமிழில் எழுதியதே நான் தான்.
எனக்கு அது செக் படத்தழுவல் என்று தெரியாதா. அதைத்தான் நான் எழுதியிருந்தேன் என்பது கூடத் தெரியாமல் எனக்கு வரும் இதுபோன்ற மடல்களுக்கு பதிலனுப்பிக்கொண்டிருப்பதால் தான்
லதீஃபுல் மெஹர் எழுதிய அற்புதமான ஃபார்ஸி மொழிக் கவிதைகளை வாங்கிவைத்து படிக்க நேரமில்லாமல் கஷ்டப்படுகிறேன்.
சாரு
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From: Nerd
on 2nd July 2009 07:26 PM
[Full View]
Originally Posted by
Plum
CR, geetanjali-kku enna korachal ......IR BGMe podhume
Maddy, Manirathnamum apdiye nenachadhu dhaan kuraichal
Thread entry is strictly prohibited to anyone over 21.
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From: P_R
on 2nd July 2009 07:30 PM
[Full View]
26-27 varaikkum pOgalaam....adhukku mEla uLLa arthritic retirees ellAm exclude paNNiruvOm
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From: Plum
on 2nd July 2009 07:32 PM
[Full View]
But Nerd, seriously, Geethanjali-la vera enna irukku? Not Girija, surely?
(adhu dhaanna, I accept my over-21 status and will retire from the thread)
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From: littlemaster1982
on 2nd July 2009 07:35 PM
[Full View]
Originally Posted by
Prabhu Ram
26-27 varaikkum pOgalaam....adhukku mEla uLLa arthritic retirees ellAm exclude paNNiruvOm
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From: complicateur
on 2nd July 2009 07:37 PM
[Full View]
Originally Posted by
littlemaster1982
Originally Posted by
Prabhu Ram
26-27 varaikkum pOgalaam....adhukku mEla uLLa arthritic retirees ellAm exclude paNNiruvOm
Tempo ellAm vechchu hub-ku vanthirukkEn. 28-ku mudichchu kuduththudunga!
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From: Nerd
on 2nd July 2009 07:38 PM
[Full View]
Geetanjali-la louu irukku.
Btw, naan mental age 21 sonnEn.
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From: P_R
on 2nd July 2009 07:42 PM
[Full View]
Sari 28...ungaLukku illAdhadhA
Signature ellAm balamA irukku
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From: complicateur
on 2nd July 2009 07:44 PM
[Full View]
Originally Posted by
Prabhu Ram
Signature ellAm balamA irukku
nErla santhichchathula kidaiththa sila maNith thuLigaL
. Bayangara idea maNi-yA irukkAru!
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From: P_R
on 2nd July 2009 07:45 PM
[Full View]
tempo-vai appidiyE vuttu aLLikkitteengaLA
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From: Plum
on 2nd July 2009 07:49 PM
[Full View]
Originally Posted by
Nerd
Geetanjali-la louu irukku.
Btw, naan mental age 21 sonnEn.
ada naanum adhaan pa sonnen
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From: crajkumar_be
on 2nd July 2009 07:53 PM
[Full View]
Originally Posted by
Prabhu Ram
26-27 varaikkum pOgalaam....adhukku mEla uLLa arthritic retirees ellAm exclude paNNiruvOm
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From: jaiganes
on 2nd July 2009 08:30 PM
[Full View]
adap paavee. naan 30+ (jeetendra maadiri) enakku entry illaya?
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From: Plum
on 2nd July 2009 08:44 PM
[Full View]
oh neenga jeetendra maadhiri 30+-a? naan normal 30+-nu nenachuttEn...ungalai maadhiri 50+kellaam pasanga forumhub vaasallaya sentry vechuruppainganu nenaikkaren...
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From: jaiganes
on 2nd July 2009 08:57 PM
[Full View]
adadadadadadapppaaveegala
50 vayasukku mela chidhood 2 start aagidumgra freudian psychology theriyaadha?
Naane ambulimaama vaangittu padikka neram illainnu kashtapadren, idhula unga ravusu veraya?
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From: HonestRaj
on 2nd July 2009 10:16 PM
[Full View]
Originally Posted by
sakaLAKALAKAlaa Vallavar
one kid doing a KK and VV :shocking:
I thought, Anbu in Black & Black with a dog is from Pulanvisaranai Vijayakanth
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From: NOV
on 3rd July 2009 05:47 AM
[Full View]
naa illaadha youth club enna club?
btw, when you all speak of geetthanjali, are you talking about idhayaththai thirudaathe or the murali starrer geethanjali.
if latter, I agree nothing else other than IR.
if former, I will come personally to
you.
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From: littlemaster1982
on 3rd July 2009 05:49 AM
[Full View]
Manirathnam-kkum Murali nadicha Geethanjali-kkum enna sammandham
They are talking about Idhayatthai Thirudathey only.
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From: NOV
on 3rd July 2009 05:51 AM
[Full View]
rasana ketta mummy daddies
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From: P_R
on 3rd July 2009 08:48 AM
[Full View]
Originally Posted by
NOV
rasana ketta mummy daddies
Look who's quoting who !!!!
All ye GM fans, this shall go down in history as the first sign of our eventual dominance.
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From: NOV
on 3rd July 2009 09:06 AM
[Full View]
Originally Posted by
Prabhu Ram
Originally Posted by
NOV
rasana ketta mummy daddies
Look who's quoting who !!!!
All ye GM fans, this shall go down in history as the first sign of our eventual dominance.
dont celebrate yet. I've heard this from Hubbers. :P
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From: Vivasaayi
on 3rd July 2009 09:13 AM
[Full View]
Originally Posted by
NOV
Originally Posted by
Prabhu Ram
Originally Posted by
NOV
rasana ketta mummy daddies
Look who's quoting who !!!!
All ye GM fans, this shall go down in history as the first sign of our eventual dominance.
dont celebrate yet. I've heard this from Hubbers. :P
vaai vena vera veraya irukalam...aanaa voice ennamo onnuthan...adhu yarudhu????
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From: P_R
on 3rd July 2009 09:14 AM
[Full View]
அதாவது விளையுற நிலத்த பாக்காதீங்க...விதைக்கிற விதைய பாருங்கன்னு சொல்றீங்க
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From: NOV
on 3rd July 2009 09:17 AM
[Full View]
ok, yaar vasanakarththaa?
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From: P_R
on 3rd July 2009 09:20 AM
[Full View]
meesai-la maN ottalai
That vasanam had GM written all over it. Vidunga..
He is an irresistable force. "Resistance is futile"
-
From: Sarna
on 3rd July 2009 09:23 AM
[Full View]
Originally Posted by
Prabhu Ram
meesai-la maN ottalai
That vasanam had GM written all over it. Vidunga..
He is an irresistable force. "Resistance is futile"
hub'la mattum famous'aa irukkura dialogue'ku ivlO buildup'aa
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From: Vivasaayi
on 3rd July 2009 09:23 AM
[Full View]
Originally Posted by
Prabhu Ram
He is an irresistable force. "Resistance is futile"
ellarukullayum oru kavunder irukaru...
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From: Vivasaayi
on 3rd July 2009 09:24 AM
[Full View]
Originally Posted by
Sarna
Originally Posted by
Prabhu Ram
meesai-la maN ottalai
That vasanam had GM written all over it. Vidunga..
He is an irresistable force. "Resistance is futile"
hub'la mattum famous'aa irukkura dialogue'ku ivlO buildup'aa
neenga wooldu fulla survey nadathituthan indha mudivukku vandheengala?
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From: P_R
on 3rd July 2009 09:29 AM
[Full View]
Sarna, appuram Hub-la mattumE popular-A irukkura sila vishayangaLai paththi naan pEsa vENdi varum
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From: Sarna
on 3rd July 2009 09:30 AM
[Full View]
Originally Posted by
Vivasaayi
Originally Posted by
Sarna
Originally Posted by
Prabhu Ram
meesai-la maN ottalai
That vasanam had GM written all over it. Vidunga..
He is an irresistable force. "Resistance is futile"
hub'la mattum famous'aa irukkura dialogue'ku ivlO buildup'aa
neenga wooldu fulla survey nadathituthan indha mudivukku vandheengala?
One of the smartest things you can do is to entertain the possibility that you may be mistaken. Because if you are mistaken, and you're able to see it, you have the opportunity for great progress. There is no dishonor in being mistaken. Yet there is great folly indeed in being so stubborn that you refuse to admit your own mistakes. Mistakes can be powerful teachers. By knowing firsthand what does not work, you gain much greater understanding about what does work, and why. If you're not willing to accept the possibility of mistakes, you're not going to make much headway. Though there's no need to purposely make mistakes, there's no reason to live in fear of them either. Even if you are already effective, there likely are ways to be yet more effective. Even if your mistakes are not disastrous, there is still much that you can learn from them. Embrace the fact that somehow, concerning something, you're probably mistaken. And in your mistakes, find the wisdom that will take your performance to an even higher level.
-
From: Sanguine Sridhar
on 3rd July 2009 09:33 AM
[Full View]
Sarna,
Enna dheedirnu equa/compli/PR maadhri post panreenga!!
-
From: Vivasaayi
on 3rd July 2009 09:35 AM
[Full View]
Originally Posted by
Sarna
One of the smartest things you can do is to entertain the possibility that you may be mistaken. Because if you are mistaken, and you're able to see it, you have the opportunity for great progress. There is no dishonor in being mistaken. Yet there is great folly indeed in being so stubborn that you refuse to admit your own mistakes. Mistakes can be powerful teachers. By knowing firsthand what does not work, you gain much greater understanding about what does work, and why. If you're not willing to accept the possibility of mistakes, you're not going to make much headway. Though there's no need to purposely make mistakes, there's no reason to live in fear of them either. Even if you are already effective, there likely are ways to be yet more effective. Even if your mistakes are not disastrous, there is still much that you can learn from them. Embrace the fact that somehow, concerning something, you're probably mistaken. And in your mistakes, find the wisdom that will take your performance to an even higher level.
yaya..kakooshyaaa
-
From: P_R
on 3rd July 2009 09:36 AM
[Full View]
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From: Sarna
on 3rd July 2009 09:45 AM
[Full View]
Originally Posted by
Vivasaayi
Originally Posted by
Sarna
One of the smartest things you can do is to entertain the possibility that you may be mistaken. Because if you are mistaken, and you're able to see it, you have the opportunity for great progress. There is no dishonor in being mistaken. Yet there is great folly indeed in being so stubborn that you refuse to admit your own mistakes. Mistakes can be powerful teachers. By knowing firsthand what does not work, you gain much greater understanding about what does work, and why. If you're not willing to accept the possibility of mistakes, you're not going to make much headway. Though there's no need to purposely make mistakes, there's no reason to live in fear of them either. Even if you are already effective, there likely are ways to be yet more effective. Even if your mistakes are not disastrous, there is still much that you can learn from them. Embrace the fact that somehow, concerning something, you're probably mistaken. And in your mistakes, find the wisdom that will take your performance to an even higher level.
yaya..kakooshyaaa
Sometimes you must get it wrong before you can know how to get it right. Often, short-term disappointment is a necessary step on the path to long-term fulfillment. When things fail to go according to plan, all is not lost. Mistakes, surprises and distractions can bring their own unique and valuable possibilities. If you were unable to get the results you intended, don't waste a lot of time being angry, resentful or disappointed. Instead, look for the new set of opportunities with which you've been presented. If the first ship sails without you, that could very likely turn out to be a blessing. For the voyage on the next ship can end up being better than you could ever have previously imagined. Don't put a lot of energy into judging, after the fact, whether a particular outcome is desirable or not. Put your energy into finding ways to move forward from the current situation. The road to fulfillment is never a straight line. Learn to navigate the twists and turns, and you'll find something of value in every result.
-
From: Sanguine Sridhar
on 3rd July 2009 09:48 AM
[Full View]
-
From: Sarna
on 3rd July 2009 09:48 AM
[Full View]
Originally Posted by
Prabhu Ram
Sarna, appuram Hub-la mattumE popular-A irukkura sila vishayangaLai paththi naan pEsa vENdi varum
paravaa illa
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From: Sarna
on 3rd July 2009 09:50 AM
[Full View]
Originally Posted by
Sanguine Sridhar
Sarna,
Enna dheedirnu equa/compli/PR maadhri post panreenga!!
bore adikkudhu
adhanaaladhaan :P
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From: Nerd
on 3rd July 2009 07:58 PM
[Full View]
Saroja goes to Hollywood
IndiaGlitz [Friday, July 03, 2009]
Remember the lanky girl who played Saroja in Venkat Prabhu’s 'Saroja'? The girl, who later had an image makeover, was found on screen as Shobikannu in director Pandiraj’s 'Pasanga'!
And now, she has her hands full with interesting projects, including an English short film. The actress, who won Rajini’a appreciation playing the village girl in the children’s flick, says she is on a roll, with these interesting offers in her career.
She is working in a Telugu film 'Houseful', apart from the Hindi film 'Aamraz' and the English short film 'I am god'. “I am in no hurry to sign a film as I am sure I do not want to do routine roles,” says she actress, who gushes at the mention of her role in 'Pasanga'. “The film actually gave out my original number as the character’s phone number. Ever since, the phone hasn’t stopped buzzing,” says the actress with a chirpy smile.
-------------------------------------
* Aahaa, andha number ennannu yaaraavadhu takk-nu sollunga pAkkalaam.
* ammanikku innumA thread illai? Vega fans ellAm kaiya thookkunga
-
From: littlemaster1982
on 3rd July 2009 08:05 PM
[Full View]
I have the film in my hard disk :P
-
From: Sanguine Sridhar
on 3rd July 2009 08:20 PM
[Full View]
Originally Posted by
Nerd
Saroja goes to Hollywood
IndiaGlitz [Friday, July 03, 2009]
Remember the lanky girl who played Saroja in Venkat Prabhu’s 'Saroja'? The girl, who later had an image makeover, was found on screen as Shobikannu in director Pandiraj’s 'Pasanga'!
And now, she has her hands full with interesting projects, including an English short film. The actress, who won Rajini’a appreciation playing the village girl in the children’s flick, says she is on a roll, with these interesting offers in her career.
She is working in a Telugu film 'Houseful', apart from the Hindi film 'Aamraz' and the English short film 'I am god'. “I am in no hurry to sign a film as I am sure I do not want to do routine roles,” says she actress, who gushes at the mention of her role in 'Pasanga'. “The film actually gave out my original number as the character’s phone number. Ever since, the phone hasn’t stopped buzzing,” says the actress with a chirpy smile.
-------------------------------------
* Aahaa, andha number ennannu yaaraavadhu takk-nu sollunga pAkkalaam.
* ammanikku innumA thread illai? Vega fans ellAm kaiya thookkunga
2 hands + 2 legs!!
-
From: MADDY
on 3rd July 2009 09:47 PM
[Full View]
Originally Posted by
Sanguine Sridhar
Originally Posted by
Nerd
* ammanikku innumA thread illai?
Vega fans ellAm kaiya thookkunga [/font][/size][/tscii]
2 hands + 2 legs!!
i'm too yaa :P wat is the number yaa, hey i want to call yaa :P
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From: P_R
on 3rd July 2009 09:56 PM
[Full View]
-
From: MADDY
on 3rd July 2009 10:06 PM
[Full View]
Originally Posted by
Prabhu Ram
she is that school garl who comes as saroja in saroja...her original number appears in the movie it seems.....naanga ellarum andha number-la call panni pazhaga porom andha ponnu kooda..... :P vaANGa pazhagalaam
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From: Nerd
on 3rd July 2009 10:14 PM
[Full View]
LM,
camaan kwick.. I accidentally deleted that film from my hard drive
And SS/Maddy -
http://www.indiaglitz.com/channels/t...ress/4954.html What a beeety-yA!
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From: complicateur
on 3rd July 2009 10:17 PM
[Full View]
Nerd: Before you switch allegiances, I ran into Shreya in the Chennai airport 4 days ago. I have to say the adulation is all deserved. And the girl can hold her own on 4 inch heels.
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From: Nerd
on 3rd July 2009 10:22 PM
[Full View]
Originally Posted by
complicateur
Nerd: Before you switch allegiances, I ran into Shreya in the Chennai airport 4 days ago.
I have to say the adulation is all deserved. And the girl can hold her own on 4 inch heels.
indha maadhiri accident-lAm enakku nadakka mAttengudhE..
Actually ran into Aish couple of years back in the Houston airport. Shook hands with her and rendu naaLaikku kayya kazhuvalaiyE..
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From: HonestRaj
on 3rd July 2009 10:26 PM
[Full View]
Originally Posted by
Prabhu Ram
Originally Posted by
NOV
rasana ketta mummy daddies
Look who's quoting who !!!!
All ye GM fans, this shall go down in history as the first sign of our eventual dominance.
me :thumping the table:
innoru poll edhuvum vechukkuvoma.. summa lolalaykku
-
From: P_R
on 3rd July 2009 10:29 PM
[Full View]
Originally Posted by
MADDY
Originally Posted by
Prabhu Ram
she is that school garl who comes as saroja in saroja...her original number appears in the movie it seems.....naanga ellarum andha number-la call panni pazhaga porom andha ponnu kooda..... :P vaANGa pazhagalaam
ada adhu theriyum 'nga
reaksan konjam over-A irukku IMO
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From: HonestRaj
on 3rd July 2009 10:40 PM
[Full View]
-
From: P_R
on 3rd July 2009 10:42 PM
[Full View]
Originally Posted by
HonestRaj
yenappa.... asappula "koththavaranga" Kousalya-voda sister madhiri theriyudhu... theruma
AdhE
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From: littlemaster1982
on 3rd July 2009 10:56 PM
[Full View]
Originally Posted by
Nerd
94430 91624 :P
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From: Nerd
on 3rd July 2009 10:56 PM
[Full View]
indha
charming smile Kousalyavaa?
99 pics-la 60+ thErudhE..
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From: complicateur
on 3rd July 2009 10:59 PM
[Full View]
Originally Posted by
Nerd
99 pics-la 60+ thErudhE..
first class-A? nAnga ellAm distinksan irunthA thAn ettiyE pArppOm!
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From: Nerd
on 3rd July 2009 11:00 PM
[Full View]
Originally Posted by
littlemaster1982
Originally Posted by
Nerd
94430 91624 :P
Switched off
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From: littlemaster1982
on 3rd July 2009 11:00 PM
[Full View]
-
From: P_R
on 3rd July 2009 11:02 PM
[Full View]
Originally Posted by
littlemaster1982
niraiya pEr phone paNNi pArAttittAnga pOla irukku
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From: MADDY
on 4th July 2009 10:54 AM
[Full View]
Originally Posted by
Nerd
Originally Posted by
littlemaster1982
Originally Posted by
Nerd
94430 91624 :P
Switched off
message vutturukken....paakkalaam......
//kousalya kothhavaranga-va - ayyo, mummy inimel andha vegetable samaikkadhinga veetla... :vomit: //
Nerd, thanks for the pics.....very fast girl -haan (vivek style)
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From: Prabo
on 4th July 2009 07:24 PM
[Full View]
Originally Posted by
HonestRaj
Side angle'la face nallA paLichchunu theriyuthu
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From: Mahen
on 4th July 2009 07:43 PM
[Full View]
Originally Posted by
MADDY
Originally Posted by
Nerd
Originally Posted by
littlemaster1982
Originally Posted by
Nerd
94430 91624 :P
Switched off
message vutturukken....paakkalaam......
//kousalya kothhavaranga-va - ayyo, mummy inimel andha vegetable samaikkadhinga veetla... :vomit: //
Nerd, thanks for the pics.....very fast girl -haan (vivek style)
Droghi
what happend to your 'my heart says tamannaah'..
-
From: HonestRaj
on 4th July 2009 08:25 PM
[Full View]
Originally Posted by
Mahen
Originally Posted by
MADDY
Originally Posted by
Nerd
Originally Posted by
littlemaster1982
Originally Posted by
Nerd
94430 91624 :P
Switched off
message vutturukken....paakkalaam......
//kousalya kothhavaranga-va - ayyo, mummy inimel andha vegetable samaikkadhinga veetla... :vomit: //
Nerd, thanks for the pics.....very fast girl -haan (vivek style)
Droghi
what happend to your 'my heart says tamannaah'..
my eyes sees Vega
-
From: HonestRaj
on 4th July 2009 08:35 PM
[Full View]
Originally Posted by
Prabo
Originally Posted by
HonestRaj
Side angle'la face nallA paLichchunu theriyuthu
99 slides-la 3 mattum select panni link kuduthurukaenna.. neenga ennoda kalai rasanaya purinjukkanum
eppadiyum TM monday varuvaru.. avarukkum indha links ellam use aagum
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From: MADDY
on 4th July 2009 08:40 PM
[Full View]
Originally Posted by
Mahen
Droghi
what happend to your 'my heart says tamannaah'..
heart ennikkavadhu pesi irukka - vaai dhaan pesum....naa sonnen-nnu nambikittu :P .....
to be honest, i have been fan of only 2 actresses for their looks - manisha and tamanna - vera yaarukkum en manasula edam illa
.......urmila kooda oru craze dhaan......so indha ponnu vega kooda oru craze dhaan.....aana adikkadi craze varudhu, compulsive heroine changing syndrome-nnu nenaikkuren....
-
From: HonestRaj
on 4th July 2009 08:42 PM
[Full View]
Originally Posted by
MADDY
aana adikkadi craze varudhu, compulsive heroine changing syndrome-nnu nenaikkuren....
idhu paththi veetla kaettu parunga...... "kalyana vayasu vandhuruchu" nu solvanga
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From: Mahen
on 4th July 2009 08:43 PM
[Full View]
Originally Posted by
MADDY
Originally Posted by
Mahen
Droghi
what happend to your 'my heart says tamannaah'..
heart ennikkavadhu pesi irukka - vaai dhaan pesum....naa sonnen-nnu nambikittu :P .....
to be honest, i have been fan of only 2 actresses for their looks - manisha and tamanna -
vera yaarukkum en manasula edam illa .......urmila kooda oru craze dhaan......so indha ponnu vega kooda oru craze dhaan.....aana adikkadi craze varudhu,
compulsive heroine changing syndrome-nnu nenaikkuren....
-
From: HonestRaj
on 4th July 2009 09:24 PM
[Full View]
Originally Posted by
NOV
ok, yaar vasanakarththaa?
munnadi ellam MGR / Sivaji sandaila ippadithan ketpanga... Sivaji oda vasanamum / MGR oda thathuva padalgalum .. yaroda karuthu?
then somebody told...... "vanam pozhigiradhu.. bhoomi viLaigiradhu" ngradha yaru venumnalum eppadi venumnalum sollalam..... aana kattabomman ippadithan solli iruppan-nu makkal nambumpadiya Sivaji-yala mattumthan solla mudiyum
---- Aptly we can say the same for all GM's quotes
-
From: HonestRaj
on 4th July 2009 09:27 PM
[Full View]
Originally Posted by
Sarna
Originally Posted by
Prabhu Ram
meesai-la maN ottalai
That vasanam had GM written all over it. Vidunga..
He is an irresistable force. "Resistance is futile"
hub'la mattum famous'aa irukkura dialogue'ku ivlO buildup'aa
Marupadiyum marupadiyum Annan ai karanam illamal edhirtheenganna (like u do for Surya) appuram nan needhi manrathula vazhakku thodara vendi varum
illaina.. atleast.. I will quote that kevalamana dialogue from Saamy .. supposed to be a karuthu comedy against child labour
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From: crajkumar_be
on 4th July 2009 09:35 PM
[Full View]
auuuuuuuuuuuuuuuuuuuuu
(GM fans GM haters sandaikku naduvula enga Puyal kodiya nattitu poga vandhen
)
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From: MADDY
on 4th July 2009 10:19 PM
[Full View]
Originally Posted by
HonestRaj
Marupadiyum marupadiyum Annan ai karanam illamal edhirtheenganna (like u do for Surya) appuram nan needhi manrathula vazhakku thodara vendi varum
ada vidunga partner.......oru naal adayala velai niruthham madhiri oru aal adayala gounder ethirpu indha HUB-la irundhuttu pogattume..... :P
CR, neenga natta kodi enga area - take that 25 robees
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From: Vivasaayi
on 4th July 2009 10:50 PM
[Full View]
Originally Posted by
MADDY
CR, neenga natta kodi enga area - take that 25 robees
"naanga dootila romba stritu"
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From: VENKIRAJA
on 4th July 2009 11:11 PM
[Full View]
Originally Posted by
MADDY
Originally Posted by
crajkumar_be
Pasanga first hour - stuppit nonsense, granted
Adhukku nu...?
First of all, Anjali-ya ve "cute" a kaamchiruppainga!!!!! Enough said
Anjali-a ellam defend panradhellam too much-nga. Apparam naanga (??) Kavudham Menon a defend pannuvom
Anjali = Ilaiyaraaja. Case closed. Next
Anjali is a below normal effort from mani-ngradhu dhaan Equa othukkittare......but the way anjali appealed to kids in the sense, as a kid, you felt kids have a life of their own.......i dont think that is brought out in pasanga.....
varra pudhu pasanga ellarayum maniratnathoda compare vendiyadhu and conclude they did better job than mani-nnu conclude panna vendiyadhu
:P
oru vazhiyA... aNNanukum enakkum orE wavelength...
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From: P_R
on 4th July 2009 11:17 PM
[Full View]
Anjali kids unreal hence interesting to kids. Quite memorable.
Pasanga - watch, laugh when possible and forget. Nothing memorable
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From: Plum
on 5th July 2009 02:12 PM
[Full View]
Originally Posted by
MADDY
CR, neenga natta kodi enga area - take that 25 robees
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From: Plum
on 5th July 2009 02:14 PM
[Full View]
aNNan influences bollywood critic:
Originally Posted by
Baradwaj Rangan
All that, however, changes with the fourth entry in the series, which is rather ponderously named Terminator Salvation, as if something as down-and-dirty as Terminator 4: The Rebels Strike Back would be an affront to its ambition
strikingly GM-esque
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From: Vivasaayi
on 5th July 2009 02:50 PM
[Full View]
Originally Posted by
Plum
aNNan influences bollywood critic:
Originally Posted by
Baradwaj Rangan
All that, however, changes with the fourth entry in the series, which is rather ponderously named Terminator Salvation, as if something as down-and-dirty as Terminator 4: The Rebels Strike Back would be an affront to its ambition
strikingly GM-esque
apdi panna unga latchiyathukku edhavadhu izhukku vandhudungala? - drums mani
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From: Plum
on 5th July 2009 02:54 PM
[Full View]
Vivs, adhe dhaan. Immediately struck my mind - I dont think even BR realises that its GM's influence, that
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From: P_R
on 5th July 2009 07:11 PM
[Full View]
Neenga dhaan ange nedunaaL commentator-aache, avasiyam quote paNNi ezudhi sollunga.
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From: HonestRaj
on 5th July 2009 07:18 PM
[Full View]
Leaving all the digs aside,
good news for PASANGA lovers...
crossing 50 days... theaters are still continuing with the film..
rasigargalin vendukolukku inanga
http://www.dailythanthi.com/thanthie...g20%20boys.jpg
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From: Sanguine Sridhar
on 6th July 2009 05:49 PM
[Full View]
Originally Posted by
Nerd
Originally Posted by
littlemaster1982
Originally Posted by
Nerd
94430 91624 :P
Switched off
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From: Jyothsna
on 9th July 2009 08:13 AM
[Full View]
Pasanga ippathan paaka mudinjithu..
Ithukku than ivlo build up a... Etho romba etharthamana padamnu ellam sonnangale... oruvelai thirunthittangalo nu paarthean.. Athellam onnum illa... Same old masala,athaye chinna pasangala vachu eduthirukkanga avlothan..Ex. Antha karate scene
Ellathayum vida muthal scene laye yethartham adipattu poyduthu..(police la complaint kodukkarathu.. enna velayadringala
)
Anganga sila scenes nalla irukku avlothan.. meenatchi-sobikkannu, leader select pandra scene,sandai podumbothu bujjima kutharathai paarthu sobiyum avanga amma vum sirikkarathu....Athukaha motha padamum etho kuzhanthaigalukkana kaviyam mathiri pesarathu konjam over... Director a paaratta vendiya vishayamna ivlo thairiyama chinna pasangala lead role a pottathu onnuthan..
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From: Jyothsna
on 9th July 2009 08:31 AM
[Full View]
இப்படிப்பட்ட குறைகள் இருந்தாலும் இந்தப் படத்தை ஈரானிய இயக்குனர் மஜீத் மஜீதியின் ‘சொர்க்கத்தின் குழந்தைகள்’ என்ற படத்தை விட சிறந்த படம் என்று சொல்லுவேன்.
மஜீதியின் ‘சொர்க்கத்தின் குழந்தைகள்’ வித்தோரியோ தெ சிக்காவின் ‘பைசைக்கிள் தீவ்ஸ்’ (1948) என்ற படத்தோடு ஒப்பிடப் படுகிறது. அந்த அளவுக்கு எந்தத் தவறுமே இல்லாமல் மிகக் கச்சிதமாக சர்வதேச சினிமா இலக்கணத்தோடு பொருந்தியிருக்கிறது மஜீதியின் படம். ஆனால் ‘பசங்க’ படத்தில் செயற்கையாகத் திணிக்கப்பட்ட, தமிழ் சினிமாவுக்கே உரிய பாடல் காட்சிகள் உள்ளன. இந்த ஒரு சமரசமே திரைப்பட விழாவில் பங்கு பெறுவதற்கு இந்தப் படத்தைத் தகுதியில்லாததாக ஆக்குகிறது. பாடல் காட்சிகளை நீக்கிவிட்டு அனுப்பலாம் என்றாலும் வேறு சில சமரசங்களும் நீக்கப்பட வேண்டும். - Charu nivethitha...
Sirikkaratha,kovapadratha...
Manushan romba theliva irukkar pola.. ithukku suhasini ye thevalam...
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From: MADDY
on 9th July 2009 08:35 AM
[Full View]
Originally Posted by
Jyothsna
A.R.RAHMAN-Mr.Simple n Humble
//disgr//did you get to meet him? this statement suggest you did meet him
//disgr//
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From: Jyothsna
on 9th July 2009 08:37 AM
[Full View]
Originally Posted by
MADDY
Originally Posted by
Jyothsna
A.R.RAHMAN-Mr.Simple n Humble
//disgr//did you get to meet him? this statement suggest you did meet him
//disgr//
yes of course..
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From: MADDY
on 9th July 2009 08:48 AM
[Full View]
Originally Posted by
Jyothsna
Originally Posted by
MADDY
Originally Posted by
Jyothsna
A.R.RAHMAN-Mr.Simple n Humble
//disgr//did you get to meet him? this statement suggest you did meet him
//disgr//
yes of course..
wow....cool.....
kadavul ellarukkum dharisanam tharudhu, indha bakthan-kku eppa chance-nnu theriyala.....
.......
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From: Sarna
on 10th August 2009 04:21 PM
[Full View]
PASANGA - what a movie
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From: Sarna
on 10th August 2009 04:28 PM
[Full View]
கண்டதை படிக்க துடிக்காமல்
கற்றவர்போல் தினம் நடிக்காமல்
கொண்ட உன் கடமையை அழிக்காமல்
பண்பையும் அன்பையும் இழக்காமல்
the whole sequence was
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From: venkkiram
on 12th April 2010 07:23 AM
[Full View]
பசங்க படத்தை அப்படியே நுனிப்புல் மேய்ந்து விட்டு அஞ்சலியை உயர்த்தி பேசுவது போலத் தெரிகிறது. அஞ்சலிப் பாப்பா போல, நோய்வாய்ப்பட்ட ஒரு இளஞ்சிறுமியை சுற்றிவரும் கதையல்ல. பசங்க படத்தில் இங்கே வசதியாக எல்லோரும் மறந்து போனது ஜீவா, பகடா, குள்ளமணி இந்த மூவருடைய எதிர்மறை பாத்திரங்களை.
பாண்டிராஜனின் தேர்ந்த காட்சிகளில் ஒன்று...
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ஜீவாவின் அப்பா வகுப்பில் ஆசிரியரும் கூட. காலாண்டு மதிப்பெண்களை அவர் தெரிவிக்கும் போது வழக்கம் போல அன்புமணி, மனோன்மணி அதிக மதிப்பெண்கள்; இந்த மூவர் கூட்டணி நிறைய பாடங்களில் தேறவேயில்லை. தண்டணை என்ற பெயரில் அன்புச் செல்வத்தை கொட்டு வைக்கச் சொல்கிறார் வாத்தி. அவனோ இந்த முறை மன்னித்து விடுவோம் எனச் சொல்ல, சினத்துடன் ஜீவா "நீ என்னடா மன்னிக்க, நாங்களே கொட்டு வைத்துக் கொள்வோம்" என இறுமாப்போடு அவனே கொட்டு வைத்துக் கொள்கிறான்; குள்ள மணியும் கொட்டு வைத்துக்கொள்ள, வேண்டா வெறுப்போடு பகடா ரொம்ப திறமையா கொட்டு வைத்துக்கொள்வது போல கொட்டு வைத்துக்கொள்கிறான். கோபம் தாங்காமல், அப்பாவோடு ஜீவா வாக்குவாதம், அவரும் நிதானம் இழந்து, துணி டஸ்டரை தூக்கி வீச, ஜீவாவின் முகத்தில் பாதி இடத்தை சாக்பீஸ் பவுடர் அப்பிவிட,எல்லோருக்கும் மத்தியில் பெருத்த அவமானம்.
ஜீவாவை ஆசுவாசப்படுத்தனும், இல்லையென்றால் கிடைக்கப்பெறும் நன்மைகளுக்கு பாதகம் வந்துவிடும் என்ற நிலை பகடாவிற்கும், குள்ளமணிக்கும்.
ஆசுவாசப்படுத்தும் காட்சியை ஒரு மரத்தடியிலோ அல்லது குட்டிச்சுவரிலோ இல்லை பள்ளி மைதானத்திலோ வைத்திருக்கலாம். ஆனால் அடுத்தக் காட்சியில் மூவரும் ஒரே சைக்கிளில், பகடா மிதிக்க, குள்ளமணி முன்னாடி உட்கார்ந்து அவனும் தன் பங்கிற்கு மிதிக்க, ஜம்மென்று கேரியரில் பயணிக்கிறான் ஜீவா. பாண்டிராஜ் ரொம்ப அருமையா இந்தக் காட்சியை தொகுத்திருப்பார்.
பகடா : அன்பு பைய பொட்ட மனப்பாடம் பண்றான்.அதெல்லாம் புட்டுக்கும்
ஜீவா : ஆஆங், படிப்பைத் தவிர மத்தபடி நாந்தாண்ட ஒசத்தி
குட்டி மணி : உசத்தி மட்டுமா, நீ சோக்க இருக்க ஜீவா, ஏண்டா பகடா?
பகடா : அ ஆங், நீ யாரு! நீ நீச்சல் அடிப்ப, ரெண்டு கைய விட்டுட்டு சைக்கிள் ஓட்டுவ, நாயெல்லாம் கரக்டா கல்லால குறிவச்சு அடிப்ப
குட்டி மணி : நாக்கால மூக்கத் தொடுவ, விசிலடிப்ப, கடல்ல குளிச்சிருக்க
பகடா : நீ எலிகாப்டர், ஏரோப்ளேனெல்லாம் மதுரையில பக்கத்திலிருந்து பார்த்தவண்டா, இங்க எவன் பாத்திருக்கான்? அதை எல்லாத்தியும் விட எங்களுக்கு திங்கறத்துக்கு அப்பப்ப தீணிபண்டம் எல்லாம் வாங்கித் தர. அவுனோடெல்லாம் உன்னை ஒப்பிடக் கூடாது ஜீவா!
ஜீவா : அதை விடுடா, கவனிச்சிங்களா, இப்பெல்லாம் எல்லா வாத்தியாரும் அன்புமணி மொகத்தையும், மனோண்மணி மொகத்தையும் பார்த்துதான் பாடம் எடுக்கிறாங்க.. எங்க அப்பாவே அவுங்க மொகத்தைதான் பாக்குறாரு.
குட்டி மணி : எவன் நல்லா படிக்கிறானோ அவன் மொகத்தை பார்த்துதான் பாடம் நடத்துவாக
பகடா: இல்லன்னா, யாரு அவுங்ககிட்ட ட்யூஷன் படிக்கிறாங்களோ அவுங்க மொகத்தைதான் பார்ப்பாக
ஜீவா: நம்மளும் நல்லா படிக்கணும்டா
பகடா : ம்ஹும்
குட்டி மணி : ஆமாண்டா
பகடா : கால்பரிட்சையில அன்பு குரூப் பயலுக, மனோன்மணியெல்லாம் நம்மளோ நல்லா மார்க் வாங்கியிருக்காங்க
ஜீவா : நான் நல்லா படிப்பேண்டா, படிக்கிறதுக்கு பாடம் நல்லாவே யில்ல. படிக்க புடிக்கவே மாட்டேங்குது... இருந்தாலும் குருட்டாம் போக்குல படிக்கிறோம்.
பகடா : படிக்கிறோம்.
ஜீவா :கைத்தட்டு வாங்குறோம்
குள்ள மணி : வாங்கித்தான் பார்ப்போம்
ஜீவா : நாளையிருந்து படிக்கிறேன்.
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ஒரு முறை மேற்சொன்ன காட்சி படமாக்கப் பட்ட விதத்தை கண்டுவிட்டு, அப்படியே அஞ்சலியிலிருந்து இதுபோல, இதைவிட சிறந்த ஏதாவது ஒரு காட்சியை எடுத்து வையுங்கள் பார்ப்போம்!
பசங்க படம் முழுக்க முழுக்க பசங்களைப் பற்றிய படமல்ல. அஞ்சலியைப் போல, சிறுவர்களுக்கென சிறப்பான பாடல்கள் இல்லை. அன்புச்செல்வத்தின் குடும்பம், அவனின் சித்தப்பா-ஜீவாவின் அக்காவிற்கும் இடையே மலரும் செல்பேசி காதல், அன்புச் செல்வத்தின் மிகைப்படுத்தப் பட்ட நேர்மறையான பாத்திரம்.. ஆனாலும் இவைகளுக்கு இடையே ரொம்ப அழகாக, ஜீவா-பகடா-குள்ளமணியின் எதிர்மறை எண்ணங்கள், செயல்கள் பல இடங்களில் நன்றாக காட்சிப் படுத்தப்பட்டிருக்கிறது.
ஜீவா என்ற பாத்திரம் மீதெழும் வெறுப்புத்தான் பாண்டிராஜ் இயக்கத்தின் வெற்றி.